{"title":"From poly-medium to post-medium A discourse on non-evolutionary movements of manga and comics","authors":"Marco Pellitteri","doi":"10.1285/I22840753N18P23","DOIUrl":null,"url":null,"abstract":"This is a reflection on manga as a litmus to talk about two dimensions of comics at large. The first is the non-evolutionary nature of the comics medium. The article first argues that manga's and comics' perceived stages over time cannot be informed by the metaphor of evolution, but proceed-ed via \"lateral\" movements. We suggest that this form has mutated and is migrating into different technological realms, following non-ascending movements that date back to more ancient forms of visual sequential languages. The second dimension we discuss is in fact comics' transition from a \"poly-medium\" to a \"post-medium\" status. This article's focus on comics' post-mediality relates the new situation of media convergence where comics as content carrier is in turn carried through any possible image-supporting device, and this entails the loss of its status of a technology-specific form.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"H-ermes-Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1285/I22840753N18P23","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
This is a reflection on manga as a litmus to talk about two dimensions of comics at large. The first is the non-evolutionary nature of the comics medium. The article first argues that manga's and comics' perceived stages over time cannot be informed by the metaphor of evolution, but proceed-ed via "lateral" movements. We suggest that this form has mutated and is migrating into different technological realms, following non-ascending movements that date back to more ancient forms of visual sequential languages. The second dimension we discuss is in fact comics' transition from a "poly-medium" to a "post-medium" status. This article's focus on comics' post-mediality relates the new situation of media convergence where comics as content carrier is in turn carried through any possible image-supporting device, and this entails the loss of its status of a technology-specific form.