Lower Orange River views

IF 0.5 3区 社会学 Q3 AREA STUDIES Social Dynamics-A Journal of African Studies Pub Date : 2022-01-02 DOI:10.1080/02533952.2022.2039436
Sindi-Leigh McBride
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Abstract

Joan M. Schwartz argues that since “photographs participated in the construction of imaginative geographies,” they also merit attention in historical geography because they support the “virtual witnessing” of landscape across space and time (1996, 19). The first photograph of this visual essay (Figure 1), for instance, was made on January 24, 2020 the final day of the Space in Time (Space in Time: Landscape narratives and land management changes in a Southern African crossborder region, is an interdisciplinary joint research project between the University of Cape Town, University of Basel and University of Namibia.) workshop in Oranjemund, during a tour of the river mouth and the nearby ruins of Hohenfels, a former police station during the time of the German colonial empire. Like the rest of the images, this photograph stands as a visual record of the lower Orange/Gariep river’s (LOR) expansive history, one that can be measured against future changes but also contributes to conveying “an overarching appreciation of the significance of space, place and landscape in the making and meaning of social and cultural life” (Harvey 1990, 418). Indeed, another photograph (Figure 4) made at the ruins of Hohenfels former police station but taken from another perspective suggests that the river is much less powerful than at first sight. The fourth image, Empty Echo Corner, was made at the Augrabies Falls National Park, and is resonant with both fluvial and geological echoes of Anthropocene considerations. The park is home to fascinating rock formations, and Echo Corner is one of three viewpoints to see the Orange River thunder through the park, sometimes cascading powerfully and at other times a mere trickle. The visual and aural display is second only to the sight and sound of the river meeting the ocean, but as the name suggests, Echo Corner produces eerie echoes that loop around as a reminder of the intertwining of space and time. The final photograph (Figure 6) of two swimming pools constructed at Riemvasmaak Hot Springs, invites visitors to relax in the natural wonder of these therapeutic waters, a product of volcanic eruptions that have long since ceased, but continue to be heated by deep underground activity. Riemvasmaak is close to the Namibian border, situated between the LOR and the now dry, Molopo River; a haunting reminder of both resilient geomorphology and the ephemerality of fluvial forms.
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奥兰治河下游景观
Joan M.Schwartz认为,由于“照片参与了富有想象力的地理的构建”,它们在历史地理学中也值得关注,因为它们支持跨越空间和时间的景观“虚拟见证”(1996,19)。例如,这篇视觉文章的第一张照片(图1)拍摄于2020年1月24日,也就是“时间中的空间”研讨会的最后一天,在参观河口和附近的霍恩费尔斯遗址时,霍恩费尔s曾是德意志殖民帝国时期的一个警察局。与其他图像一样,这张照片是奥兰治河/加里普河下游(LOR)广阔历史的视觉记录,可以根据未来的变化进行衡量,但也有助于传达“对空间、地点和景观在社会和文化生活的形成和意义中的意义的全面理解”(Harvey 19904118)。事实上,另一张在霍恩费尔斯前警察局废墟上拍摄的照片(图4)从另一个角度拍摄,表明这条河的力量远不如第一眼看到的那么强大。第四张照片《空回声角》是在奥格拉布斯瀑布国家公园拍摄的,与人类世的河流和地质回声相呼应。公园里有迷人的岩层,回声角是看到奥兰治河在公园里打雷的三个视角之一,有时是强有力的瀑布,有时只是涓涓细流。视觉和听觉的展示仅次于河流与海洋交汇的景象和声音,但顾名思义,回声角产生了诡异的回声,这些回声环绕着,提醒人们空间和时间的交织。Riemvasmaak温泉建造的两个游泳池的最后一张照片(图6)邀请游客在这些治疗水的自然奇观中放松,这是火山喷发的产物,火山喷发早已停止,但仍在被深层地下活动加热。Riemvasmaak靠近纳米比亚边境,位于LOR和现在干涸的Molopo河之间;一个令人难忘的提醒,既有弹性的地貌和短暂的河流形式。
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
26
期刊介绍: Social Dynamics is the journal of the Centre for African Studies at the University of Cape Town, South Africa. It has been published since 1975, and is committed to advancing interdisciplinary academic research, fostering debate and addressing current issues pertaining to the African continent. Articles cover the full range of humanities and social sciences including anthropology, archaeology, economics, education, history, literary and language studies, music, politics, psychology and sociology.
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