Manikarnika: The Queen of Jhansi and its topicality

IF 0.3 0 ASIAN STUDIES South Asian Popular Culture Pub Date : 2020-09-01 DOI:10.1080/14746689.2020.1815452
P. Maurya, Nagendra Kumar
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引用次数: 2

Abstract

ABSTRACT Manikarnika: The Queen of Jhansi is a recently released Indian historical biopic of Rani Lakshmi Bai. Through historical re-imagining, the film renders several potential social and political issues, which are topical and timely in contemporary India. The present article attempts to examine the topicality of the film. First, it discusses how it rekindles the female heroic tradition of India, which has been overshadowed due to the patriarchal mindset and historiography. Secondly, it explores how, through cinematic liberties, issues like gauraksha, Hindutva, and patriotism have been propagated. Thirdly, it argues how by foregrounding Dalits and Muslims, the film attempts to neutralise extremist Hindu prejudices, dominant in the hyper-nationalist climate of India. The article concludes that by recreating a crucial historical epoch and a legend, the film attempts to reinstate a secular heritage of India’s heroic tradition to rekindle nationalistic and patriotic sensibility among the contemporary masses.
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玛尼卡尼卡:简西女王及其话题性
摘要Manikarnika:《Jhansi女王》是一部最近上映的印度历史传记片,讲述了拉尼·拉克希米·白的故事。通过历史的重新想象,影片呈现了几个潜在的社会和政治问题,这些问题在当代印度具有话题性和时代性。本文试图考察这部电影的主题性。首先,它讨论了它如何重新点燃印度的女性英雄传统,这一传统因父权制心态和史学而蒙上了阴影。其次,它探讨了如何通过电影自由来传播高拉克沙、印度教和爱国主义等问题。第三,它论证了这部电影如何通过突出达利特人和穆斯林,试图中和在印度极端民族主义气候中占主导地位的印度教极端主义偏见。文章的结论是,通过重现一个关键的历史时代和一个传奇,这部电影试图恢复印度英雄传统的世俗遗产,以在当代大众中重新点燃民族主义和爱国主义情感。
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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