{"title":"Manikarnika: The Queen of Jhansi and its topicality","authors":"P. Maurya, Nagendra Kumar","doi":"10.1080/14746689.2020.1815452","DOIUrl":null,"url":null,"abstract":"ABSTRACT Manikarnika: The Queen of Jhansi is a recently released Indian historical biopic of Rani Lakshmi Bai. Through historical re-imagining, the film renders several potential social and political issues, which are topical and timely in contemporary India. The present article attempts to examine the topicality of the film. First, it discusses how it rekindles the female heroic tradition of India, which has been overshadowed due to the patriarchal mindset and historiography. Secondly, it explores how, through cinematic liberties, issues like gauraksha, Hindutva, and patriotism have been propagated. Thirdly, it argues how by foregrounding Dalits and Muslims, the film attempts to neutralise extremist Hindu prejudices, dominant in the hyper-nationalist climate of India. The article concludes that by recreating a crucial historical epoch and a legend, the film attempts to reinstate a secular heritage of India’s heroic tradition to rekindle nationalistic and patriotic sensibility among the contemporary masses.","PeriodicalId":35199,"journal":{"name":"South Asian Popular Culture","volume":"18 1","pages":"247 - 260"},"PeriodicalIF":0.3000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14746689.2020.1815452","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Asian Popular Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14746689.2020.1815452","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 2
Abstract
ABSTRACT Manikarnika: The Queen of Jhansi is a recently released Indian historical biopic of Rani Lakshmi Bai. Through historical re-imagining, the film renders several potential social and political issues, which are topical and timely in contemporary India. The present article attempts to examine the topicality of the film. First, it discusses how it rekindles the female heroic tradition of India, which has been overshadowed due to the patriarchal mindset and historiography. Secondly, it explores how, through cinematic liberties, issues like gauraksha, Hindutva, and patriotism have been propagated. Thirdly, it argues how by foregrounding Dalits and Muslims, the film attempts to neutralise extremist Hindu prejudices, dominant in the hyper-nationalist climate of India. The article concludes that by recreating a crucial historical epoch and a legend, the film attempts to reinstate a secular heritage of India’s heroic tradition to rekindle nationalistic and patriotic sensibility among the contemporary masses.