The Gender Barriers in the Indie and Dance Music Scene in Dublin

Q2 Arts and Humanities IASPM Journal Pub Date : 2018-08-01 DOI:10.5429/2079-3871(2018)V8I1.9EN
C. O’Sullivan
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引用次数: 4

Abstract

This article explores the roles that women played in the Dublin Music scene over the years 2000-2017. Based on longitudinal ethnographic research, it describes the barriers that women face to performing opportunities in the indie and dance music scenes. I outline the motivating factors for women to become involved in music performance and contrast them with those of their male counterparts to see if there are fundamental differences in why and how either gender becomes involved. I posit that the prevailing messages that women receive are often discouraging to their sense of belonging to the music scene. Finally, I contend that rather than women gaining access to the positions that incur capital, they instead continue to find themselves in challenging and sexist situations and corralled into roles that offer them very little in terms of monetary or cultural reward, or they leave the music industry all together.
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都柏林独立音乐和舞蹈音乐中的性别障碍
本文探讨了2000-2017年间女性在都柏林音乐界所扮演的角色。基于纵向民族志研究,它描述了女性在独立音乐和舞蹈音乐场景中面临的表演机会障碍。我概述了女性参与音乐表演的激励因素,并将其与男性同行进行对比,看看两性参与音乐表演的原因和方式是否存在根本差异。我认为,女性所接受到的主流信息往往不利于她们对音乐的归属感。最后,我认为,女性并没有获得获得资本的职位,而是继续发现自己处于充满挑战和性别歧视的境地,并被困在几乎没有金钱或文化回报的角色中,或者他们一起离开了音乐行业。
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
30 weeks
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