Accompanying Images: Leo Bersani and Cinematic Fascination

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY POSTMODERN CULTURE Pub Date : 2020-08-12 DOI:10.1353/pmc.2020.0009
M. Tuhkanen
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引用次数: 0

Abstract

Abstract:During the half century of his writing, Leo Bersani has worked toward an onto-ethics/aesthetics of fascination in which cinema plays an important part. With the help of Proust, Sade, Caravaggio, Pasolini, and others, he outlines two modes of fascination: the spectator's active exploration and evisceration of an enigmatic world, and his passive receptiveness to the world's nonsignifying forms. Bersani proposes that these modes of cinematic fascination exemplify regimes of modern subjectivation, the ways in which we are taught to become who we are in our encounters with the world.
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附图:利奥·贝尔萨尼和电影魅力
摘要:在贝尔萨尼长达半个世纪的写作生涯中,他一直在努力构建一种以电影为核心的本体伦理学/魅力美学。在普鲁斯特、萨德、卡拉瓦乔、帕索里尼等人的帮助下,他概述了两种迷恋模式:观众对一个神秘世界的主动探索和剔除,以及他对世界无意义形式的被动接受。贝尔萨尼提出,这些电影魅力的模式是现代主体化制度的例证,是我们在与世界的接触中被教导成为我们自己的方式。
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来源期刊
POSTMODERN CULTURE
POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
11
期刊介绍: Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.
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