Seismic media: art and geological co-creation in Ōtautahi Christchurch, Aotearoa New Zealand

IF 1.5 3区 社会学 Q4 ENVIRONMENTAL STUDIES Cultural Geographies Pub Date : 2022-11-09 DOI:10.1177/14744740221134121
Zita Joyce, Susan Ballard
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Abstract

In September 2010 the city of Ōtautahi Christchurch, New Zealand was rocked by the first of a sequence of 16,000 earthquakes. This essay considers art and creative practices that have responded to the experience of living in the earthquake-damaged city. In an environment transformed by seismicity, we argue that artists became co-creators with the planet, using its instability as a medium of art making, an active agent and long-term collaborator in creative practice. Those practices mediate the experience of seismicity, communicating the overwhelming energy of a faultline rupture in artworks that employ sound, touch, image, memory and emotion. We use the term seismic media to describe an expansive field encompassing the unstable earth as medium, the practice of mediating seismicity, and the media texts and objects that attempt to express it. In this essay we employ the concept of seismic media to discuss artworks created within the city of Ōtautahi Christchurch as it undergoes an extended period of rebuilding. We identify artists’ relationships with the material geology of a city with a focus on new geographical and aesthetic understandings. Seismic media enables people to work through the experiences of earthquakes and their long aftermath, while remembering the city as it was and imagining the city that could be.
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地震媒介:艺术和地质共同创造Ōtautahi基督城,新西兰奥特罗阿
2010年9月,新西兰城市Ōtautahi克赖斯特彻奇发生了16000次地震中的第一次。这篇文章考虑了艺术和创造性的实践,这些实践回应了在地震破坏的城市中生活的经历。在一个被地震活动所改变的环境中,我们认为艺术家成为了地球的共同创造者,利用地球的不稳定性作为艺术创作的媒介,在创作实践中成为积极的代理人和长期的合作者。这些实践调解了地震活动的经验,在艺术作品中通过声音、触觉、图像、记忆和情感来传达断层破裂的压倒性能量。我们使用“地震介质”一词来描述一个包含不稳定的地球作为介质的广阔领域,调解地震活动的实践,以及试图表达它的媒体文本和对象。在这篇文章中,我们采用地震媒体的概念来讨论在经历了长时间重建的Ōtautahi基督城内创作的艺术品。我们以新的地理和美学理解为重点,确定艺术家与城市物质地质的关系。地震媒体使人们能够经历地震及其长期后果,同时记住城市的现状,想象城市的未来。
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
46
期刊介绍: Cultural Geographies has successfully built on Ecumene"s reputation for innovative, thoughtful and stylish contributions. This unique journal of cultural geographies will continue publishing scholarly research and provocative commentaries. The latest findings on the cultural appropriation and politics of: · Nature · Landscape · Environment · Place space The new look Cultural Geographies reflects the evolving nature of its subject matter. It is both a sub-disciplinary intervention and an interdisciplinary forum for the growing number of scholars or practitioners interested in the ways that people imagine, interpret, perform and transform their material and social environments.
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