Pub Date : 2023-12-12DOI: 10.1177/14744740231217284
Daniel A. Finch-Race, Valentina Gosetti
This article showcases the fruitfulness of cross-fertilizing geographical and literary methods to address the complexities of women’s poems being compiled into an anthology – a process of negotiation compounded by male domination of the canon. Inspired by Gilles Clément’s reflections on the ‘planetary garden’, we radically posit female-edited poetry anthologies as a prism for rethinking ecosystem management. Focussing on three landmark collections of French-language women’s writings, we illustrate how a wide variety of cultural production is essential for a flourishing future, just as greater biodiversity enhances an ecoregion’s resilience in the face of stressors like air pollution or heat shock. Within this experimental interdisciplinary framework, two main questions are explored: first, how an appreciation of anthologies through ecopoetics propels scalar thinking about issues to do with the climate crisis and social justice; second, what happens when a poem is transplanted into an anthological milieu, where a plurality of distributed agencies gives a collective sense of becoming more than just a sum of distinctive parts. Proposing an innovative model whereby a ‘poem-flower’ takes root in an ‘anthology-garden’, our article ultimately argues that paying attention to female-led anthologizations’ diversifying role can enhance thinking about ecological sustainability as much as social inclusion.
{"title":"Planetary gardening via female-led anthologies of women’s poetry in French","authors":"Daniel A. Finch-Race, Valentina Gosetti","doi":"10.1177/14744740231217284","DOIUrl":"https://doi.org/10.1177/14744740231217284","url":null,"abstract":"This article showcases the fruitfulness of cross-fertilizing geographical and literary methods to address the complexities of women’s poems being compiled into an anthology – a process of negotiation compounded by male domination of the canon. Inspired by Gilles Clément’s reflections on the ‘planetary garden’, we radically posit female-edited poetry anthologies as a prism for rethinking ecosystem management. Focussing on three landmark collections of French-language women’s writings, we illustrate how a wide variety of cultural production is essential for a flourishing future, just as greater biodiversity enhances an ecoregion’s resilience in the face of stressors like air pollution or heat shock. Within this experimental interdisciplinary framework, two main questions are explored: first, how an appreciation of anthologies through ecopoetics propels scalar thinking about issues to do with the climate crisis and social justice; second, what happens when a poem is transplanted into an anthological milieu, where a plurality of distributed agencies gives a collective sense of becoming more than just a sum of distinctive parts. Proposing an innovative model whereby a ‘poem-flower’ takes root in an ‘anthology-garden’, our article ultimately argues that paying attention to female-led anthologizations’ diversifying role can enhance thinking about ecological sustainability as much as social inclusion.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"55 3","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139009698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-06DOI: 10.1177/14744740231215505
Salomé Lopes Coelho
This paper explores the relationships between humans and more-than-humans through the analysis of the rhythmic elements of the contemporary art installation Ajuar para un conquistador. An interdisciplinary approach bridges Art Studies and More-Than-Human Geographies to examine Ajuar and its environmental concerns, including the relationships between human and non-human worlds. Through ‘rhuthmanalysis’ – a new concept and word developed in the paper – textual and image analysis, and conversations with the artist, this study examines the social, cultural, and ecological meshwork of rhythms articulated within and by the art installation. ‘Rhuthmanalysis’ expands upon Henri Lefebvre and Catherine Régulier’s rhythmanalytic project by incorporating indigenous knowledge and an ecocritical standpoint while redefining the understanding of rhythm. The analysis explores how Ajuar, concerned with the endangerment of Patagonian birds, promotes a performative understanding of the artwork’s capacities in the context of the interplay between the affective dimensions and politics of the creation of the Argentine nation-state. The paper argues that Ajuar participates in the social and political production of space and place, opening new forms of being together and challenging colonial narratives through a rhythmic lens. Moreover, this study seeks to offer a singular perspective on how approaching art as a rhythmic configuration of an intricate choreography of coexistence can provide unique insights into space and the environment. The paper concludes that ‘rhuthmanalysis’ is a privileged tool to address the need for a transdisciplinary methodology capable of giving account of the mutual unfolding of human and non-human existences and decolonising posthumanist geographies and rhythm studies.
{"title":"More-than-human ‘rhuthmanalysis’ in Mónica Giron’s art installation Ajuar para un conquistador","authors":"Salomé Lopes Coelho","doi":"10.1177/14744740231215505","DOIUrl":"https://doi.org/10.1177/14744740231215505","url":null,"abstract":"This paper explores the relationships between humans and more-than-humans through the analysis of the rhythmic elements of the contemporary art installation Ajuar para un conquistador. An interdisciplinary approach bridges Art Studies and More-Than-Human Geographies to examine Ajuar and its environmental concerns, including the relationships between human and non-human worlds. Through ‘rhuthmanalysis’ – a new concept and word developed in the paper – textual and image analysis, and conversations with the artist, this study examines the social, cultural, and ecological meshwork of rhythms articulated within and by the art installation. ‘Rhuthmanalysis’ expands upon Henri Lefebvre and Catherine Régulier’s rhythmanalytic project by incorporating indigenous knowledge and an ecocritical standpoint while redefining the understanding of rhythm. The analysis explores how Ajuar, concerned with the endangerment of Patagonian birds, promotes a performative understanding of the artwork’s capacities in the context of the interplay between the affective dimensions and politics of the creation of the Argentine nation-state. The paper argues that Ajuar participates in the social and political production of space and place, opening new forms of being together and challenging colonial narratives through a rhythmic lens. Moreover, this study seeks to offer a singular perspective on how approaching art as a rhythmic configuration of an intricate choreography of coexistence can provide unique insights into space and the environment. The paper concludes that ‘rhuthmanalysis’ is a privileged tool to address the need for a transdisciplinary methodology capable of giving account of the mutual unfolding of human and non-human existences and decolonising posthumanist geographies and rhythm studies.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"2 14","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138595718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-04DOI: 10.1177/14744740231215510
Federico Ferretti
This paper reassesses and rediscovers the intellectual legacy of French geographer Eric Dardel (1899–1967). First discovered by geographers in the 1970s and 1980s, Dardel’s book L’Homme et la Terre was considered as a work predating alternatively humanistic approaches and postmodern critiques of positivism, which justifies why it passed substantially unperceived when it was first published in 1952. Yet, most of these authors have manifestly only read that book despite Dardel’s production was much larger, labelling Dardel as a ‘phenomenologist’ in a quite reductive way. Drawing upon recent literature on material agency and on phenomenology/post-phenomenology in geography, and based on the analysis of Dardel’s complete body of work, I argue that the contribution of the French geographer cannot be reduced to matters of phenomenology and subjective perception. To this end, I especially focus on Dardel’s references to the 19th-century tradition of Naturphilosophie that argued for a consubstantiality of ‘humankind’ and ‘nature’. Hence, I show how Dardel’s willingness to take seriously the materiality and agency of ‘the Earth’ through his notion of géographicité [geographicity or geographicalness] can give new and original insights to current geographies dealing with materiality, affect, human-nature hybridity and relational ontologies. Questioning dualisms such as humankind/nature, subject/object and nature/culture, early geographical understandings of the planet as a complex living being can foster the relevance of geography for both the ‘material turn’ advocating for plural agencies and for critical debates denying the principle of human supremacy over the planet.
{"title":"Géographicité, material agency and the thickness of the Earth: rediscovering Eric Dardel beyond ‘nature/culture’ dualisms","authors":"Federico Ferretti","doi":"10.1177/14744740231215510","DOIUrl":"https://doi.org/10.1177/14744740231215510","url":null,"abstract":"This paper reassesses and rediscovers the intellectual legacy of French geographer Eric Dardel (1899–1967). First discovered by geographers in the 1970s and 1980s, Dardel’s book L’Homme et la Terre was considered as a work predating alternatively humanistic approaches and postmodern critiques of positivism, which justifies why it passed substantially unperceived when it was first published in 1952. Yet, most of these authors have manifestly only read that book despite Dardel’s production was much larger, labelling Dardel as a ‘phenomenologist’ in a quite reductive way. Drawing upon recent literature on material agency and on phenomenology/post-phenomenology in geography, and based on the analysis of Dardel’s complete body of work, I argue that the contribution of the French geographer cannot be reduced to matters of phenomenology and subjective perception. To this end, I especially focus on Dardel’s references to the 19th-century tradition of Naturphilosophie that argued for a consubstantiality of ‘humankind’ and ‘nature’. Hence, I show how Dardel’s willingness to take seriously the materiality and agency of ‘the Earth’ through his notion of géographicité [geographicity or geographicalness] can give new and original insights to current geographies dealing with materiality, affect, human-nature hybridity and relational ontologies. Questioning dualisms such as humankind/nature, subject/object and nature/culture, early geographical understandings of the planet as a complex living being can foster the relevance of geography for both the ‘material turn’ advocating for plural agencies and for critical debates denying the principle of human supremacy over the planet.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"35 29","pages":""},"PeriodicalIF":1.6,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138601333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-16DOI: 10.1177/14744740231203713
Tianna Bruno, Andrew Curley, Mabel Denzin Gergan, Sara Smith
Geographers center space and place in our understanding of power, arguing that relationships to place matter, that space is a result of power relations, and that how we represent the world makes the world. But to what extent do we turn these methods of analysis to understanding our relations to the land beneath our feet? We consider the experience and limits of repair across four sites, approaching land and place-making as political and cultural practices that orient us toward action and building relations. In this plenary lecture, furthering land-as-pedagogy, work on Black place-making and the afterlives of slavery we propose that geographers take up more seriously and more materially, the work of repair. We are bound up in institutions that stole land from Indigenous peoples, benefitted from enslaved peoples, and built a world of knowledge that shored up the logics and tools of empire; moreover, we must grapple with the afterlives of these practices in their extractive relations to people and land both near and far. As geographers, we can and should be pushing for different kinds of partnerships with the Native nations whose land we are on, toward reparations in the form of material redistribution and restructured power structures, and toward better relations with all workers at our institutions as well. We have an uneven responsibility to devote not only words but also resources and labor to understanding what justice and repair might look like in our fieldsites, discipline, and in our home institutions. We discuss examples of this in our work and at our institutions, propose guiding questions, and invite geographers to reflect on how to do the material work of repair.
{"title":"The work of repair: land, relation, and pedagogy","authors":"Tianna Bruno, Andrew Curley, Mabel Denzin Gergan, Sara Smith","doi":"10.1177/14744740231203713","DOIUrl":"https://doi.org/10.1177/14744740231203713","url":null,"abstract":"Geographers center space and place in our understanding of power, arguing that relationships to place matter, that space is a result of power relations, and that how we represent the world makes the world. But to what extent do we turn these methods of analysis to understanding our relations to the land beneath our feet? We consider the experience and limits of repair across four sites, approaching land and place-making as political and cultural practices that orient us toward action and building relations. In this plenary lecture, furthering land-as-pedagogy, work on Black place-making and the afterlives of slavery we propose that geographers take up more seriously and more materially, the work of repair. We are bound up in institutions that stole land from Indigenous peoples, benefitted from enslaved peoples, and built a world of knowledge that shored up the logics and tools of empire; moreover, we must grapple with the afterlives of these practices in their extractive relations to people and land both near and far. As geographers, we can and should be pushing for different kinds of partnerships with the Native nations whose land we are on, toward reparations in the form of material redistribution and restructured power structures, and toward better relations with all workers at our institutions as well. We have an uneven responsibility to devote not only words but also resources and labor to understanding what justice and repair might look like in our fieldsites, discipline, and in our home institutions. We discuss examples of this in our work and at our institutions, propose guiding questions, and invite geographers to reflect on how to do the material work of repair.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"14 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136142765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-14DOI: 10.1177/14744740231203711
Pauline Chasseray-Peraldi, Guillaume Malaret
Composed between 2020 and 2022 by Guillaume Malaret, Érodé is a musical piece created from field recordings at Eagles Nest, a tidal island in Australia’s Bunurong National Marine Park. Based on an interview with Guillaume Malaret, this article addresses several issues concerning digital representations, renderings, and ecologies of geological, hydrological, and sonic spaces, as well as the cultural geographies of landscape, embodiment, and affect. We explore the potentials of sonic composition and geophonic recordings for mediating bodily connections with difficult-to-imagine processes, such as environmental change over deep time. Our dialogue throughout this article contributes to emerging themes in digital ecological research by focusing on the materialities of digitization, digitally mediated creative practices in sonic geography, and the importance of different affective registers for comprehending environmental transformation.
{"title":"A mineral listening: digital soundscapes of geological time","authors":"Pauline Chasseray-Peraldi, Guillaume Malaret","doi":"10.1177/14744740231203711","DOIUrl":"https://doi.org/10.1177/14744740231203711","url":null,"abstract":"Composed between 2020 and 2022 by Guillaume Malaret, Érodé is a musical piece created from field recordings at Eagles Nest, a tidal island in Australia’s Bunurong National Marine Park. Based on an interview with Guillaume Malaret, this article addresses several issues concerning digital representations, renderings, and ecologies of geological, hydrological, and sonic spaces, as well as the cultural geographies of landscape, embodiment, and affect. We explore the potentials of sonic composition and geophonic recordings for mediating bodily connections with difficult-to-imagine processes, such as environmental change over deep time. Our dialogue throughout this article contributes to emerging themes in digital ecological research by focusing on the materialities of digitization, digitally mediated creative practices in sonic geography, and the importance of different affective registers for comprehending environmental transformation.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135803989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-10DOI: 10.1177/14744740231203715
George Kirkham
Snake Awareness Rescue Protection App (SARPA) is a digital platform used in Kerala, India, to prevent snakebites. SARPA connects users with local snake rescuers who are on hand to safely bag and translocate snakes that enter homes. This article reflects on the ‘doing’ of digital ecologies while researching SARPA, narrating my fieldwork and collaboration with SARPA’s developers to show how my research supported the platform’s design and implementation. Through this reflection, I demonstrate how collaboration with software designers and developers may provide a means for cultural geographers to put their scholarship into practice, enabling them to contribute to improving the usability, accessibility or environmental sustainability of digital technologies.
{"title":"Snakes and smartphones: exploring transdisciplinary design collaborations for the governance of snakebite","authors":"George Kirkham","doi":"10.1177/14744740231203715","DOIUrl":"https://doi.org/10.1177/14744740231203715","url":null,"abstract":"Snake Awareness Rescue Protection App (SARPA) is a digital platform used in Kerala, India, to prevent snakebites. SARPA connects users with local snake rescuers who are on hand to safely bag and translocate snakes that enter homes. This article reflects on the ‘doing’ of digital ecologies while researching SARPA, narrating my fieldwork and collaboration with SARPA’s developers to show how my research supported the platform’s design and implementation. Through this reflection, I demonstrate how collaboration with software designers and developers may provide a means for cultural geographers to put their scholarship into practice, enabling them to contribute to improving the usability, accessibility or environmental sustainability of digital technologies.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"226 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136294648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-10DOI: 10.1177/14744740231201407
Andy Graeme-Cook, Catherine Graeme-Cook, Gordon Waitt, Theresa Harada
Creative practice is frequently being deployed in research by cultural geographers. This article explores one such deployment, centering on a participatory community art exhibition titled ‘Wheelability’. The exhibition was organized by non-disabled geographers for people who use powered mobility devices in the Northern Rivers region of New South Wales, Australia. The article illustrates the distinctive contribution art can make to disability mobility justice. It uses the personal stories and mobile creative expressions of one co-researcher and their carer to explore how engaging in creative activities provides opportunities to understand the emotional aspects of everyday mobility challenges and what emotions can do. Thinking through the emotional geographies of a mobile form of creative practice allows us to illustrate how dominant social norms are confirmed, ruptured, and reconfigured by the co-researcher. In conclusion, we discuss the implications of creative practices for conducting geographical research that promotes justice for individuals with mobility disabilities.
{"title":"Doing disability activism through the embodied experiences of creative practice: participating in a community art exhibition","authors":"Andy Graeme-Cook, Catherine Graeme-Cook, Gordon Waitt, Theresa Harada","doi":"10.1177/14744740231201407","DOIUrl":"https://doi.org/10.1177/14744740231201407","url":null,"abstract":"Creative practice is frequently being deployed in research by cultural geographers. This article explores one such deployment, centering on a participatory community art exhibition titled ‘Wheelability’. The exhibition was organized by non-disabled geographers for people who use powered mobility devices in the Northern Rivers region of New South Wales, Australia. The article illustrates the distinctive contribution art can make to disability mobility justice. It uses the personal stories and mobile creative expressions of one co-researcher and their carer to explore how engaging in creative activities provides opportunities to understand the emotional aspects of everyday mobility challenges and what emotions can do. Thinking through the emotional geographies of a mobile form of creative practice allows us to illustrate how dominant social norms are confirmed, ruptured, and reconfigured by the co-researcher. In conclusion, we discuss the implications of creative practices for conducting geographical research that promotes justice for individuals with mobility disabilities.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"252 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136357951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-10DOI: 10.1177/14744740231203710
Sunjay Mathuria
This article explores the role of walking and storytelling as a mode of memory-making in Belfast’s City Centre, a ‘shared space’ that has largely been emptied of reminders of the 30-year conflict in Northern Ireland known as the ‘Troubles’. Memorialization remains a divisive and contentious process in Northern Ireland with two opposing narrative traditions and a lack of shared collective memory. In the absence of state-led and officialized memorials to the ‘Troubles’, I explore how urban heritage can be expressed in motion, through spatial stories told by place-based professionals (urban planners, architects, heritage practitioners, arts and community groups) in the City Centre. In particular, I employ David Lloyd’s idea of ‘melancholy survivals’ to describe the ways in which memories of conflict persist in the narratives we tell and in the small physical residues scattered throughout the City Centre, which we encounter through walking and spatial stories. I argue that walking go-along interviews with place-based professionals elicits storytelling that evokes a mobile mode of memorialization. I begin by discussing the context of memorialization in Belfast’s City Centre, its role during the ‘Troubles’, and its subsequent urban redevelopment as a ‘shared space’. I then map out critical discussions around my methodological framework, which considers spatial storytelling, geographies of affect and walking methods as ways to engage urban heritage in cities that have experienced conflict. This is followed by observations from the walking go-along interviews, which include stories of physical residues, the psychosomatic legacies of conflict and ways the difficult memories factor into narratives in Belfast’s City Centre.
{"title":"Walking, storytelling and melancholy survivals: memorialization of the ‘Troubles’ in Belfast’s City Centre","authors":"Sunjay Mathuria","doi":"10.1177/14744740231203710","DOIUrl":"https://doi.org/10.1177/14744740231203710","url":null,"abstract":"This article explores the role of walking and storytelling as a mode of memory-making in Belfast’s City Centre, a ‘shared space’ that has largely been emptied of reminders of the 30-year conflict in Northern Ireland known as the ‘Troubles’. Memorialization remains a divisive and contentious process in Northern Ireland with two opposing narrative traditions and a lack of shared collective memory. In the absence of state-led and officialized memorials to the ‘Troubles’, I explore how urban heritage can be expressed in motion, through spatial stories told by place-based professionals (urban planners, architects, heritage practitioners, arts and community groups) in the City Centre. In particular, I employ David Lloyd’s idea of ‘melancholy survivals’ to describe the ways in which memories of conflict persist in the narratives we tell and in the small physical residues scattered throughout the City Centre, which we encounter through walking and spatial stories. I argue that walking go-along interviews with place-based professionals elicits storytelling that evokes a mobile mode of memorialization. I begin by discussing the context of memorialization in Belfast’s City Centre, its role during the ‘Troubles’, and its subsequent urban redevelopment as a ‘shared space’. I then map out critical discussions around my methodological framework, which considers spatial storytelling, geographies of affect and walking methods as ways to engage urban heritage in cities that have experienced conflict. This is followed by observations from the walking go-along interviews, which include stories of physical residues, the psychosomatic legacies of conflict and ways the difficult memories factor into narratives in Belfast’s City Centre.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136352893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.1177/14744740231203714
Richard A Carter
This paper outlines a speculative artistic research project, Orbital Reveries, which develops an alternative representational practice for engaging with satellite sensing. The project appropriates terrestrial satellite imagery and parses it through various algorithmic processes to generate visual-poetic ‘textscapes’. The goal of this exercise is to resituate satellite sensing within other modes of representational knowledge-making, exploring the value of creative speculation and experimental emergence in mapping ecological crises.
{"title":"Satellite poetics and provocations","authors":"Richard A Carter","doi":"10.1177/14744740231203714","DOIUrl":"https://doi.org/10.1177/14744740231203714","url":null,"abstract":"This paper outlines a speculative artistic research project, Orbital Reveries, which develops an alternative representational practice for engaging with satellite sensing. The project appropriates terrestrial satellite imagery and parses it through various algorithmic processes to generate visual-poetic ‘textscapes’. The goal of this exercise is to resituate satellite sensing within other modes of representational knowledge-making, exploring the value of creative speculation and experimental emergence in mapping ecological crises.","PeriodicalId":47718,"journal":{"name":"Cultural Geographies","volume":"160 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136280312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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