Kommunist omed ve-shar (A Communist Stands and Sings): On Israel’s Ron Workers’ Choir

IF 0.5 3区 历史学 Q1 HISTORY Journal of Israeli History Pub Date : 2021-07-03 DOI:10.1080/13531042.2021.2097157
Jasmin Habib, Amir Locker-Biletzki
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引用次数: 1

Abstract

ABSTRACT At first glance Jewish Israeli Communists and SLI (Songs of the Land of Israel) make strange bedfellows. Communist Party members would seem to be the last to sing songs that glorify the Land of Israel using Zionist tropes. Yet they did. Since the end of World War II, the Ron Workers’ Choir, which was affiliated with the Communist Party, sang SLI songs and performed on international stages in the Socialist Bloc and in Israel. This amateur choir, its history, and the ideological shifts that enabled its activity are the focus of this article. We argue here that the shift in the Jewish Communists’ ideology toward a form of qualified recognition of Israeli nationalism and the development of a Zionist Habitus enabled the reception and embrace of Zionist culture, including its settler colonial aspects, by Jewish Israeli Communists.
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Kommunist omed ve shar(共产主义者的立场和歌唱):以色列罗恩工人合唱团
乍一看,犹太裔以色列共产党人和SLI(以色列之歌)是奇怪的同床异梦。共产党员似乎是最后一个用犹太复国主义比喻赞美以色列土地的人。然而他们做到了。自第二次世界大战结束以来,隶属于共产党的罗恩工人合唱团演唱了SLI歌曲,并在社会主义集团和以色列的国际舞台上表演。这个业余合唱团,它的历史,以及使其活动的意识形态转变是本文的重点。我们在这里认为,犹太共产主义者的意识形态向有条件地承认以色列民族主义的形式转变,以及犹太复国主义习惯的发展,使犹太-以色列共产主义者能够接受和接受犹太复国主义文化,包括其定居者殖民方面。
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