Bust Thymiateria and Cult of Dionysus in Olbia

IF 0.3 4区 历史学 N/A ARCHAEOLOGY ARCHAEOLOGY Pub Date : 2020-03-12 DOI:10.15407/archaeologyua2020.01.039
T. Shevchenko
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引用次数: 2

Abstract

Among terracotta busts thymiateria in Olbia Pontica, there is a group of female images with attributes of Dionysiac cult. Ten of them have mitra and ivy wreath shown already in a mould, while two items have handmade wreath added to the ready images. Similarly made bust thymiateria are known in North Pontic Tauric Chersonesos, Nymphaeum, and Hermonassa, another one is known in South-Eastern Pontic region. Ivy wreaths made of handmade details on terracottas from various regions are discussed in the paper. The interpretation of a handmade cup on the head as a thymiaterion, but not a basket as it was known in the literature before, allowed expanding the map of spreading the bust thymiateria which were traditional for the Hellenistic Greek world. Such busts found in Olbia, apart from a Dionysiac personage, presented Aphrodite and rarely the Mother of the Gods. There is no definite answer which of Dionysiac companions is presented in such a way. Apart from Ariadne, Dionysus appeared in art with other paredras: Aphrodite, later with one of maenads or nymphs, and even with Semele who died earlier than he was born, according to the myth. The 2nd century BC inscription evidences that there was a statue of this god with his mother in Olbia. Therefore, there is a probability that close in time bust thymiateria depicted Semele. Most of terracottas analyzed in this paper were found in houses and referred to a family worship of Dionysus in Olbia, while one item comes from the botros at the Central Temenos. They accomplish the evidences of Dionysus’ cult in the Hellenistic period. The most vivid and spread of them were lead bucrania and labrises, terracotta bulls and votive altars with Dionysus, maenad and Silenus on one of their sides, etc. These terracottas were in fact the devices for performing the cult. Symbolic offerings or thymiam were put on them when Dionysus was worshipped. Less active spreading of incense did not require its burning and that is perhaps a reason why there are no traces of soot on most of them. This fact finds its parallels in other regions of Hellas.
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俄比亚胸像和酒神崇拜
在奥比亚·庞蒂卡的陶俑胸像中,有一组具有酒神崇拜属性的女性形象。其中10件已经在模具中展示了密特拉和常春藤花环,还有两件是在现成的图片上添加了手工花环。在北庞蒂克的陶瑞克·切尔索内索斯、尼法厄姆和赫尔蒙纳萨也发现了类似的胸胸像,在东南庞蒂克地区也发现了类似的胸胸像。本文讨论了在不同地区的陶土上手工制作常春藤花环的细节。将头上手工制作的杯子解释为胸腺胸廓,而不是之前文献中所说的篮子,这使得胸廓胸廓的传播版图得以扩大,胸廓胸廓是希腊化希腊世界的传统。在奥尔比亚发现的这些半身像,除了一个酒神的人物外,是阿芙罗狄蒂,很少是众神之母。酒神的同伴中哪一个以这种方式出现,没有明确的答案。除了阿里阿德涅之外,狄俄尼索斯还与其他父母一起出现在艺术中:阿芙罗狄蒂后来与一位女祭司或仙女在一起,甚至与塞墨勒在一起,根据神话,塞墨勒在他出生之前就去世了。公元前2世纪的铭文表明,在奥尔比亚有一尊这位神和他母亲的雕像。因此,有可能及时关闭胸腺胸腺以描绘塞梅尔。本文分析的大部分兵马俑都是在房屋中发现的,涉及到奥尔比亚的一个家庭对狄俄尼索斯的崇拜,而一件来自中央特米诺斯的botros。他们完成了希腊化时期酒神崇拜的证据。其中最生动、最广泛的是铅制的牛和牛,陶土制的公牛,以及两侧刻有狄俄尼索斯、梅纳德和西勒诺斯的祭坛等。这些陶俑实际上是祭礼的工具。当狄奥尼索斯被崇拜时,象征性的祭品或麝香酒被放在上面。不太活跃的熏香传播不需要燃烧,这也许是大多数熏香上没有烟灰痕迹的原因。这一事实在希腊的其他地区也有相似之处。
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ARCHAEOLOGY
ARCHAEOLOGY ARCHAEOLOGY-
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