Commentary on "How Stable is Pitch Labeling Accuracy in Absolute Pitch Possessors?" by W. Gruhn, R. Ristmägi, P. Schneider, A. d'Souza, & K. Kiilu

IF 0.6 0 MUSIC Empirical Musicology Review Pub Date : 2019-04-18 DOI:10.18061/EMR.V13I3-4.6627
Kathrin Schlemmer
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Abstract

This paper is a brief commentary on the paper "How stable is pitch labeling accuracy in absolute pitch possessors" by W. Gruhn, R. Ristmägi, P. Schneider, A. d'Souza, and K. Kiilu. The original paper presents evidence for the influence of timbre on the pitch labeling accuracy of absolute pitch (AP) possessors. The presented data result from a solid methodology and show a clear pitch labeling accuracy drop from instrumental timbres to sinusoidal tones, with manipulated sounds being in the middle. The commentary underlines the view that the presented results are compatible with a memory perspective on AP and can be interpreted as evidence for the influence of training on the development of AP.
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评论“绝对音高所有者的音高标注准确性有多稳定?”W. Gruhn, R. Ristmägi, P. Schneider, A. d'Souza, & K. Kiilu
本文简要评述了W.Gruhn、R.Ristmägi、P.Schneider、a.d’Souza和K.Kiilu的论文《绝对音高拥有者的音高标记准确性有多稳定》。原始论文提供了音色对绝对音高(AP)持有者的音高标记准确性的影响的证据。所呈现的数据来源于一种坚实的方法,并显示了从乐器音色到正弦音调的清晰音高标记精度下降,操纵声音在中间。评论强调了这样一种观点,即所提出的结果与AP的记忆视角相一致,可以被解释为训练对AP发展影响的证据。
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