Silence and Familial Homophobia in Colm Tóibín’s “Entiendes” and “One Minus One”

José Carregal-Romero
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引用次数: 2

Abstract

The present study focuses on two of Colm Toibin’s gay short-stories – “Entiendes” (1993) and “One Minus One” (2010) – in which the homosexual son meditates on his attachment to the dead mother. In both texts, Toibin characterises the mother-son bond as being fraught with silence, resentment and lack of communication. In “One Minus One” and “Entiendes”, the son’s closeted homosexuality coexists with familial legacies of shame, uneasiness and duplicity. The central characters in the two texts are similar, as they experience the same type of existential exile, solitude and alienation derived from their complex attachments to home and family. As shall be explained, the author dwells on the damaging effects of familial homophobia, highlighting the limitations of the dominant heteronormative family model to accommodate gay sensibilities.
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Colm Tóibín《Entiendes》与《一减一》中的沉默与家族性同性恋恐惧症
目前的研究集中在科尔姆·托宾的两篇同性恋短篇小说——《Entiendes》(1993)和《一减一》(2010)——其中同性恋儿子沉思他对死去母亲的依恋。在这两篇文章中,托宾都将母子关系描述为充满沉默、怨恨和缺乏沟通的关系。在《一减一》和《恩德斯》中,儿子未公开的同性恋身份与家族的耻辱、不安和口是心非并存。两个文本中的中心人物是相似的,因为他们经历了同样类型的存在放逐,孤独和异化源于他们对家庭和家庭的复杂依恋。如上所述,作者详述了家庭同性恋恐惧症的破坏性影响,强调了主流异性恋规范家庭模式在容纳同性恋情感方面的局限性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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