Time is Always NOW: Animist Materialism in Keorapetse Kgositsile's Temporal Order

Uhuru Phalafala
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引用次数: 1

Abstract

ABSTRACT This paper explores Keorapetse Kgositsile's re-ordering of time through his coined concepts of “NOW,” “future memory,” and the “coil of time” in his poetry. In his reckoning, colonial modernity's time imposed a temporal order that is not congruent with his African worldview and understanding of time and space. Further, being of South African descent and living in the diaspora meant occupying two realities concurrently. Being informed by southern Africa's indigenous oral archive and knowledge system in a different milieu necessitated a creative re-invention of those concepts in his poetic. I draw from theories of animism and the animist unconscious to show how Kgositsile deconstructs modernity's linear time, with its attendant Cartesian divide between “I and the world,” and show how he absorbs this divide within mythical and magical matrices to re-enchant modernity's temporality and elevate his worldview. As such, this paper shows how the relationships between modernity and tradition, memory and desire, past and future, home and exile, and Africa and its diaspora are powerfully synthesised in a manner that necessitates imperative recalibrations of temporality as we understand it within the context of colonial modernity.
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时间总是现在:凯奥拉佩茨·克戈西齐尔时间秩序中的二元唯物主义
本文通过科古西西尔在诗歌中创造的“现在”、“未来记忆”和“时间的缠绕”等概念,探讨他对时间的重新排序。在他看来,殖民时代的现代性强加了一个与他的非洲世界观和对时间和空间的理解不一致的时间秩序。此外,作为南非后裔和生活在海外意味着同时拥有两种现实。在一个不同的环境中,受南部非洲土著口头档案和知识体系的影响,他必须创造性地重新发明他诗歌中的这些概念。我从万物有灵论和万物有灵论无意识的理论中,展示了kgositilil是如何解构现代性的线性时间,以及伴随而来的笛卡尔式的“我与世界”的划分,并展示了他是如何在神话和神奇的矩阵中吸收这种划分,重新赋予现代性的暂时性并提升他的世界观。因此,本文展示了现代性与传统、记忆与欲望、过去与未来、家园与流亡、非洲与散居者之间的关系是如何以一种强有力的方式综合起来的,这种方式需要我们在殖民现代性的背景下对暂时性进行必要的重新校准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.50
自引率
0.00%
发文量
10
期刊介绍: scrutiny2 is a double blind peer-reviewed journal that publishes original manuscripts on theoretical and practical concerns in English literary studies in southern Africa, particularly tertiary education. Uniquely southern African approaches to southern African concerns are sought, although manuscripts of a more general nature will be considered. The journal is aimed at an audience of specialists in English literary studies. While the dominant form of manuscripts published will be the scholarly article, the journal will also publish poetry, as well as other forms of writing such as the essay, review essay, conference report and polemical position piece. This journal is accredited with the South African Department of Higher Education and Training.
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