Portrayal of R.K. Narayan’s ‘The Man-Eater of Malgudi’ as an Allegorical Novel: An Overview

IF 0.4 3区 文学 0 LITERATURE ENGLISH Pub Date : 2020-12-01 DOI:10.34293/english.v9i1.3440
Pooja Pradeep Shinde
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引用次数: 2

Abstract

This article deals with R.K. Narayan’s The Man-Eater of Malgudi as an allegorical novel. An allegorical story tries to entertain the reader through theuse of extended metaphor in which characters, plot, abstract ideas represents not only moral lessons but also explains story hidden underneath. In R.K. Narayan’s The Man-Eater of Malgudi, the author has profoundly used allegorical element to explain the relationship between Natraj and Vasu. Natraj, a welltodo printer of the town lives his life peacefully but he gets outraged with the arrival of Vasu. Vasu is just like Shakespeare’s Lago in Othello who is an embodiment of self-destruction. He has been called the Man-Eater of Malgudi who tries to suppress the innocent lives of Malgudi. The author has used the mythological term,‘Bhasmasura’ to explain the demonic attributes of Vasu. He kills innocent animals, seduces women, threatens people of Malgudi and seeks pleasure out of it. He considers himself as supreme figure which leads him to his doom. R.K. Narayan through Vasu’s character has highlighted that who are prideful will bring about their self-destruction. In allegorical view, the author has depicted the sad reality of modern society where people like Vasu try to squash the innocent people.
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纳拉扬寓言小说《马尔古迪的食人者》的描写
本文将R.K.纳拉扬的《马尔古迪食人魔》作为一部讽喻小说进行分析。一个寓言故事试图通过使用扩展的隐喻来娱乐读者,其中人物,情节,抽象的概念不仅代表了道德教训,而且解释了隐藏在背后的故事。在R.K.纳拉扬的《马尔古迪食人魔》中,作者深刻地运用了寓言元素来解释纳特拉吉和瓦苏之间的关系。纳特拉吉是镇上的一名印刷工,过着平静的生活,但他对瓦苏的到来感到愤怒。瓦苏就像莎士比亚《奥赛罗》中的拉戈一样,是自我毁灭的化身。他被称为马尔古迪的食人者,试图压制马尔古迪无辜的生命。作者使用了神话术语“Bhasmasura”来解释瓦苏的恶魔属性。他杀害无辜的动物,引诱妇女,威胁马古迪人民并从中寻求快乐。他认为自己是导致他走向灭亡的至高无上的人物。R.K. Narayan通过Vasu的角色强调了骄傲会带来自我毁灭。作者以讽喻的视角描绘了现代社会的悲惨现实,像瓦苏这样的人试图压制无辜的人。
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来源期刊
ENGLISH
ENGLISH LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
25
期刊介绍: English is an internationally known journal of literary criticism, published on behalf of The English Association. Each issue contains essays on major works of English literature or on topics of general literary interest, aimed at readers within universities and colleges and presented in a lively and engaging style. There is a substantial review section, in which reviewers have space to situate a book within the context of recent developments in its field, and present a detailed argument. English is unusual among academic journals in publishing original poetry. This policy embodies the view that the critical and creative functions, often so widely separated in the teaching of English, can co-exist and cross-fertilise each other.
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