Who Owns the Hebrew Doctors? Oriental Scholarship, Historical Proportionality, and the Puritan “Invention” of Avant-Garde Conformity

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2023-01-01 DOI:10.1215/10829636-10189015
Polly Ha
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引用次数: 1

Abstract

Puritan and conformist divines both sought to “own the Hebrew doctors” just as they had appealed to patristic sources in the late sixteenth and early seventeenth centuries. The puritan Walter Travers drew upon the rabbinic commentary of Abraham Ibn Ezra to argue for the refashioning of the church in the 1570s. Elizabethan ecclesiastical controversy in turn helped “invent” central features of avant-garde conformity by prompting Richard Hooker's use of Jewish precedent to stabilize the church from the 1580s onward. Mutual claims to the Hebrew doctors exposed disagreement over how to proportion the New Testament church in relation to layered Jewish tradition. Yet, by the early seventeenth century, the separatist Henry Ainsworth began to make more extensive, even promiscuous, use of Maimonides. This signaled movement away from simply attempting to “own the Hebrew doctors” to conscripting Jewish authorities as more active, and less mediated, participants in early modern debate.
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谁拥有希伯来医生?东方学术、历史比例论与清教徒先锋派整合的“发明”
清教徒和墨守陈规的神学家都试图“拥有希伯来医生”,就像他们在16世纪末和17世纪初求助于教父的来源一样。清教徒沃尔特·特拉弗斯(Walter Travers)引用了亚伯拉罕·伊本·以斯拉(Abraham Ibn Ezra)的拉比评论,主张在1570年代对教堂进行改造。伊丽莎白时代的教会争议反过来又帮助“发明”了先锋派一致性的核心特征,促使理查德·胡克从1580年代开始使用犹太人的先例来稳定教会。对希伯来医生的相互要求暴露了在如何将新约教会与分层的犹太传统相关联的问题上的分歧。然而,到了17世纪早期,分离主义者亨利·安斯沃思开始更广泛地,甚至混杂地,使用迈蒙尼德的观点。这标志着从简单地试图“拥有希伯来医生”到征召犹太当局在早期现代辩论中更积极,更少调解的参与者的运动。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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