{"title":"Zur Anwendung piktographischer Elemente in popkulturellen Kurztexten am Beispiel des Herz-Piktogramms","authors":"Anna Kapuścińska","doi":"10.12797/lv.17.2022.34.04","DOIUrl":null,"url":null,"abstract":"ON THE USE OF PICTOGRAPHIC ELEMENTS IN POP-CULTURAL SHORT TEXTS ON THE EXAMPLE OF THE HEART PICTOGRAM \nThe article focuses on the use of pictographic elements in short texts of the pop-culture based on the example of the heart pictogram in the utterances which are built according to the pattern: ‘I ♥ ...’. It addresses two basic aspects of its use. The first one is the fact of combining two different semiotic codes: language and an iconic code in one sentence. This quite rare transsemiotic unit is understandable merely on the basis of an established convention, due to which the pictogram of a heart can be effortlessly encoded as `love’. The second aspect, which is also based on the convention, is the replaceability of the elements of a short text. It is especially plausible when the pictogram of a heart is replaced by other pictograms. However, after such a change, the primary meaning of the short text remains legible even if the implemented pictograms have an entirely different meaning.","PeriodicalId":52400,"journal":{"name":"LingVaria","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"LingVaria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12797/lv.17.2022.34.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
ON THE USE OF PICTOGRAPHIC ELEMENTS IN POP-CULTURAL SHORT TEXTS ON THE EXAMPLE OF THE HEART PICTOGRAM
The article focuses on the use of pictographic elements in short texts of the pop-culture based on the example of the heart pictogram in the utterances which are built according to the pattern: ‘I ♥ ...’. It addresses two basic aspects of its use. The first one is the fact of combining two different semiotic codes: language and an iconic code in one sentence. This quite rare transsemiotic unit is understandable merely on the basis of an established convention, due to which the pictogram of a heart can be effortlessly encoded as `love’. The second aspect, which is also based on the convention, is the replaceability of the elements of a short text. It is especially plausible when the pictogram of a heart is replaced by other pictograms. However, after such a change, the primary meaning of the short text remains legible even if the implemented pictograms have an entirely different meaning.