Making Sense of History with Paul Ricœur and Jan Patočka: From the Past, In the Present, Toward the Future

Maria Cristina Clorinda Vendra
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Abstract

Paul Ricœur and Jan Patočka are considered among the most important phenomenologists of the 20th century. As with Ricœur, Patočka’s philosophy is shaped by an enduring critical confrontation with Husserl’s phenomenology and Heidegger’s phenomenological analyses of Dasein. The present paper aims at analyzing Ricœur’s and Patočka’s convergences and mutual inspirations in their perspectives on the topic of history. More precisely, I will take up the question of the meaning of history in Ricœur and Patočka as profoundly influenced by their readings of Husserl’s Krisis. Then, the attention will be turned to Ricœur’s concept of historicity and Patočka’s notion of care of the soul as concerns involved in the search for meaning in history as an open-ended mediation. In this context, I will discuss Ricœur’s and Patočka’s critical examination of Heidegger’s conception of thrownness (Geworfenheit) and projection (Entwerfen), that is, Dasein’s already-being-in-the-world and its disclosedness, as necessary concepts for understanding their own philosophical approaches to history.
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与Paul Ricœur和Jan pato ka一起理解历史:从过去,现在,走向未来
Paul Ricœur和Jan Patočka被认为是20世纪最重要的现象学家。与Ricœur一样,Patočka的哲学是由与胡塞尔的现象学和海德格尔对该在的现象学分析的持久批判对抗所塑造的。本文旨在分析Ricœur和Patočka在历史问题上的趋同和相互启发。更准确地说,我将在Ricœur和Patočka中讨论历史的意义问题,因为他们对胡塞尔的《克里西斯》的解读深受影响。然后,人们的注意力将转向Ricœur的历史性概念和Patočka的灵魂关怀概念,这是作为一种开放式中介来寻找历史意义的关注点。在这一背景下,我将讨论Ricœur和Patočka对海德格尔的throwness(Geworfenheit)和projection(Entwerfen)概念的批判性审视,即此在已经存在于世界及其公开性,作为理解他们自己的哲学历史方法的必要概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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