The Lyric and Its Reading – Paul de Man’s Theory of Lyric

IF 0.1 Q4 HISTORY Transcultural Studies Pub Date : 2019-05-25 DOI:10.1163/23751606-01501006
Antal Bókay
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引用次数: 0

Abstract

The concept of lyric is a central component of Paul de Man’s theory of poetry. In several papers but first of all in his „Anthropomorphism and Trope in the Lyric” he developed a coherent understanding of the lyric as an act of modernism. Its epistemological character was given through Nietzsche’s often quoted statement on the metaphorical, anthropological and performative nature of subjective language and language use. The development of these ideas, however, took place through a detailed text-interpretation of two Baudelaire poems that served as metapoetical definitions of different poetical stances. It is possible that the idea of the lyric and reading lyric defined through anthropomorphism and phenomenality refers to, can be read like an elaborated epistemology of modern, subjective textuality too.
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抒情与阅读——保罗·德曼的抒情理论
抒情概念是德曼诗歌理论的核心组成部分。在几篇论文中,但首先是在他的《抒情中的拟人论和修辞》中他将抒情作为一种现代主义行为形成了一种连贯的理解。它的认识论特征是通过尼采经常引用的关于主观语言和语言使用的隐喻,人类学和表演性质的陈述来赋予的。然而,这些思想的发展是通过对两首波德莱尔诗歌的详细文本解释来实现的,这两首诗作为不同诗歌立场的元诗学定义。通过拟人论和现象性定义的抒情诗和读抒情诗的概念,也可以被解读为一种现代主观文本性的详细认识论。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
30 weeks
期刊介绍: The Journal of Transcultural Studies is a peer-reviewed, open-access journal committed to promoting the knowledge and research of transculturality in all disciplines. It is published by the Cluster of Excellence “Asia and Europe in a Global Context: The Dynamics of Transculturality” of the Ruprecht-Karls-Universität Heidelberg.
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