The Centrality of Seeing in Journey to Love

IF 0.1 0 POETRY WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2017-05-26 DOI:10.1353/WCW.2017.0002
J. Westover
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引用次数: 2

Abstract

This article examines scenes of looking and watching that recur throughout Williams's 1955 collection Journey to Love and suggests that acts of seeing provide a poetic paradigm for the book. In some of the best poems in Journey to Love Williams envisions the act of looking in relational terms, which prevents the book as a whole from becoming solipsistic. The article compares this late work to Williams's precise and unallegorical depiction of the world in his earlier poems. Williams ultimately turns from poetic iconoclasm to imaginative synthesis, connecting the parts of the world he singles out for attention through his characteristically keen observations.
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看在《爱之旅》中的中心地位
这篇文章考察了威廉姆斯1955年出版的《爱的旅程》中反复出现的观看场景,并认为观看行为为这本书提供了一种诗意的范式。在《爱的旅程》中一些最好的诗歌中,威廉姆斯设想了从关系的角度来看的行为,这防止了整本书成为唯我论。这篇文章将这部晚期作品与威廉姆斯早期诗歌中对世界的精确而不做作的描绘进行了比较。威廉姆斯最终从诗意的打破传统转向了富有想象力的综合,通过他特有的敏锐观察,将他所关注的世界的各个部分联系起来。
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