Réminiscences nostalgiques : la lumière et le Rien dans les marines de Claude Lorrain

Q3 Arts and Humanities Svet Literatury Pub Date : 2020-10-26 DOI:10.14712/23366729.2020.3.1
Katalin Bartha-Kovács
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Abstract

NOSTALGIC REMINISCENCES: LIGHT AND NOTHING IN MARINE PAINTINGS BY CLAUDE LORRAIN The article focuses on the analysis of notions of reminiscence and nostalgia through the example of Claude Lorrain’s marine paintings. Unlike the Arcadian landscapes of his contemporary Nicolas Poussin, these often do not evoke concrete myths, but inspire less obvious reminiscences in the viewer. Lorrain’s paintings can be conceived therefore as allegories of nostalgia, a category that the article approaches with the help of that of Nothing. It aims to show that it is through the particular light effects that Lorrain’s landscapes and marine paintings suggest a sense of timeless and nostalgic reminiscences to the viewer.
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怀旧的回忆:克劳德·洛兰海军陆战队的光与虚无
怀旧回忆:克劳德·洛林海洋绘画中的光与无本文以克劳德·洛兰的海洋绘画为例,着重分析了怀旧和怀旧的概念。与他同时代的尼古拉斯·普桑(Nicolas Poussin)的阿卡迪亚风景不同,这些风景往往不会唤起具体的神话,但会激发观众不太明显的回忆。因此,洛林的绘画可以被认为是怀旧的寓言,这是文章借助《虚无》的方法来处理的一个类别。它旨在表明,正是通过特殊的灯光效果,洛林的风景和海洋绘画向观众展示了一种永恒和怀旧的回忆感。
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来源期刊
Svet Literatury
Svet Literatury Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
26
审稿时长
30 weeks
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