Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.10
Jakub Čechvala
Nicole Loraux’s book The Mourning Voice: An Essay on Greek Tragedy focuses in its main part on the ways of expressing mourning in Greek tragedy, and understands mourning in tragedy as a borderline between (in)articulated words and music. This approach appears to be useful in interpreting some lyrical passages in which the contemporary reader may easily miss the semantic role of the acoustic dimension of the passage. However, my review essay discusses in detail how, apart from some interesting partial observations, the author fails in all the main ways, turning a partial interpretation into a general statement about the genre of tragedy as a whole. The author’s general thesis is modelled on the artificial oppositions of aulos — lyre, Apollo — Dionysos, which point to another artificial scheme, created by Nietzsche in The Birth of Tragedy , rather than to the poetic-performative culture of classical Greece. The author’s following of this scheme leads in the end to a misinterpretation of the specific passages from the tragedies on which she builds her interpretation.
{"title":"Překotný hlas, truchlivé čtení Nad esejem Nicole Lorauxové o řecké tragédii","authors":"Jakub Čechvala","doi":"10.14712/23366729.2023.1.10","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.10","url":null,"abstract":"Nicole Loraux’s book The Mourning Voice: An Essay on Greek Tragedy focuses in its main part on the ways of expressing mourning in Greek tragedy, and understands mourning in tragedy as a borderline between (in)articulated words and music. This approach appears to be useful in interpreting some lyrical passages in which the contemporary reader may easily miss the semantic role of the acoustic dimension of the passage. However, my review essay discusses in detail how, apart from some interesting partial observations, the author fails in all the main ways, turning a partial interpretation into a general statement about the genre of tragedy as a whole. The author’s general thesis is modelled on the artificial oppositions of aulos — lyre, Apollo — Dionysos, which point to another artificial scheme, created by Nietzsche in The Birth of Tragedy , rather than to the poetic-performative culture of classical Greece. The author’s following of this scheme leads in the end to a misinterpretation of the specific passages from the tragedies on which she builds her interpretation.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49122080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.2
Robert Kanócz
THE COMIC WITHOUT JOKES, LAUGHTER WITHOUT REASON
没有笑话的漫画，没有理由的笑声
{"title":"Komika bez vtipu, smích bez důvodu","authors":"Robert Kanócz","doi":"10.14712/23366729.2023.1.2","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.2","url":null,"abstract":"THE COMIC WITHOUT JOKES, LAUGHTER WITHOUT REASON","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46474672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.1
Miloš Ševčík
The study deals with the main features of Vladimír Borecký’s general theory of the comic. First, it introduces Borecký’s conception of the structuring features of the comic. It then examines the specificity of the main configurations of the comic that Borecký discusses, i
{"title":"Od naivity k absurditě K úvahám Vladimíra Boreckého o komičnu","authors":"Miloš Ševčík","doi":"10.14712/23366729.2023.1.1","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.1","url":null,"abstract":"The study deals with the main features of Vladimír Borecký’s general theory of the comic. First, it introduces Borecký’s conception of the structuring features of the comic. It then examines the specificity of the main configurations of the comic that Borecký discusses, i","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47808062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.8
Tereza Dědinová
Climate fiction (more commonly cli-fi) is a relatively new yet highly influential literary genre focusing on the reflection of anthropogenic climate change and the environmental crisis more generally. The introductory part of the study outlines the development and characteristics of cli-fi and comments on the predominant dystopian tone of the works belonging to the genre. The subsequent practical section analyses seven selected examples in terms of climate change reflection in relation to the state of the fictional world, anthropocentric and biocentric perspectives
{"title":"Klimatická fikce jako otázka i odpověď Analýza současné cli-fi","authors":"Tereza Dědinová","doi":"10.14712/23366729.2023.1.8","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.8","url":null,"abstract":"Climate fiction (more commonly cli-fi) is a relatively new yet highly influential literary genre focusing on the reflection of anthropogenic climate change and the environmental crisis more generally. The introductory part of the study outlines the development and characteristics of cli-fi and comments on the predominant dystopian tone of the works belonging to the genre. The subsequent practical section analyses seven selected examples in terms of climate change reflection in relation to the state of the fictional world, anthropocentric and biocentric perspectives","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47603094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.7
Karel Helman
In its introductory overview
在其介绍性概述中
{"title":"Od postkoloniální ke globální literatuře Nad dvěma geopolitickými romány","authors":"Karel Helman","doi":"10.14712/23366729.2023.1.7","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.7","url":null,"abstract":"In its introductory overview","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45473310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.6
Jaromír Typlt
WHAT VLADIMÍR BORECKÝ DID NOT WISH TO KNOW: THE “MAŠÍBL” HUNTER IN FRONT OF “THE MAŠÍBL OF THE MAŠÍBLS” The text captures various misunderstandings that arose when the living author, František Novák from Lomnice nad Popelkou, became the subject of Vladimír Borecký’s professional interest in 2002. While Borecký was a respected scholar in the field of cultural studies, Novák’s linguistic and historical theories remained mere scientific nonsense, amusing from a certain point of view, but completely unacceptable. Borecký, however, did not want to ridicule Novák; on the contrary, he was able to read his texts as an expression of playfulness, and he placed their effect in the highest degree of the comic, which he described as “absurdity”, questioning all the certainties of our knowledge. But Novák became convinced that his groundbreaking scientific theories were as yet misunderstood.
{"title":"Co si Vladimír Borecký poznat vůbec nepřál Lovec mašíblů před mašíblem mašíblů","authors":"Jaromír Typlt","doi":"10.14712/23366729.2023.1.6","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.6","url":null,"abstract":"WHAT VLADIMÍR BORECKÝ DID NOT WISH TO KNOW: THE “MAŠÍBL” HUNTER IN FRONT OF “THE MAŠÍBL OF THE MAŠÍBLS” The text captures various misunderstandings that arose when the living author, František Novák from Lomnice nad Popelkou, became the subject of Vladimír Borecký’s professional interest in 2002. While Borecký was a respected scholar in the field of cultural studies, Novák’s linguistic and historical theories remained mere scientific nonsense, amusing from a certain point of view, but completely unacceptable. Borecký, however, did not want to ridicule Novák; on the contrary, he was able to read his texts as an expression of playfulness, and he placed their effect in the highest degree of the comic, which he described as “absurdity”, questioning all the certainties of our knowledge. But Novák became convinced that his groundbreaking scientific theories were as yet misunderstood.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44935656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.5
Ondřej Dadejík
STRANGER THAN STRANGE: SOME NOTES ON VLADIMÍR BORECKÝ’S THEORY OF THE “MIRROR OF THE OBSCURE” The article’s central theme is Vladimír Borecký’s “theory of the obscure,” which is viewed and interpreted from several points of view. Firstly, it is compared from the point of view of philosophical pragmatism, especially from the search for continuity overcoming the dualism of art and life. Secondly, the attention is focused on the dual character of mirroring in Borecký’s key concept. Subsequently, the network of standards, norms, and criteria that a rational critical debate about the meaning and value of the work of these extraordinary figures always presupposes is described. Finally, the author conceptualizes the nature of “strange works” in terms of one of the contemporary definitions of art, the American philosopher Alva Noë’s concept of artworks as “strange tools.”
STRANGER THAN STRANGER：关于VLADIMÍR BORECK“朦胧的镜子”理论的一些注记本文的中心主题是VLADIMíR Boreký的“朦胧理论”，该理论从几个角度进行了观察和解释。首先，从哲学实用主义的角度对其进行比较，特别是从克服艺术和生活的二元论寻求连续性的角度进行比较。其次，重点讨论了Borecký核心概念中镜像的双重性。随后，描述了关于这些非凡人物作品的意义和价值的理性批判辩论所预设的标准、规范和标准网络。最后，作者根据当代艺术的定义之一，即美国哲学家阿尔瓦·诺将艺术品视为“奇怪的工具”的概念，对“奇怪的作品”的性质进行了概念化
{"title":"Podivnější než podivné Několik poznámek k teorii „zrcadla obzvláštního“ Vladimíra Boreckého","authors":"Ondřej Dadejík","doi":"10.14712/23366729.2023.1.5","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.5","url":null,"abstract":"STRANGER THAN STRANGE: SOME NOTES ON VLADIMÍR BORECKÝ’S THEORY OF THE “MIRROR OF THE OBSCURE” The article’s central theme is Vladimír Borecký’s “theory of the obscure,” which is viewed and interpreted from several points of view. Firstly, it is compared from the point of view of philosophical pragmatism, especially from the search for continuity overcoming the dualism of art and life. Secondly, the attention is focused on the dual character of mirroring in Borecký’s key concept. Subsequently, the network of standards, norms, and criteria that a rational critical debate about the meaning and value of the work of these extraordinary figures always presupposes is described. Finally, the author conceptualizes the nature of “strange works” in terms of one of the contemporary definitions of art, the American philosopher Alva Noë’s concept of artworks as “strange tools.”","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44135502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.4
Felix Borecký
The article deals with the phenomenon of “mašíbl” from the theory of interpretation point of view. After the presentation of the main features of mašíbl in the first part of the study, attention is paid, in the second part, to the specific hermeneutics which Vladimír Borecký outlines in his general methodological reflections on the theory of culture and symbolic imagination. This theory, as we aim to point out, may provide an instructive clue to consider theoretical issues concerning the understanding of mašíbl. We come to the conclusion that mašíbl is a distinctive type of text that cannot be subordinated to any established kind of hermeneutics, but it needs its proper theory of interpretation. We outline its principal features and call it the “hermeneutics of inappropriateness
{"title":"Porozumění mašíblu Náčrt hermeneutiky nepatřičnosti","authors":"Felix Borecký","doi":"10.14712/23366729.2023.1.4","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.4","url":null,"abstract":"The article deals with the phenomenon of “mašíbl” from the theory of interpretation point of view. After the presentation of the main features of mašíbl in the first part of the study, attention is paid, in the second part, to the specific hermeneutics which Vladimír Borecký outlines in his general methodological reflections on the theory of culture and symbolic imagination. This theory, as we aim to point out, may provide an instructive clue to consider theoretical issues concerning the understanding of mašíbl. We come to the conclusion that mašíbl is a distinctive type of text that cannot be subordinated to any established kind of hermeneutics, but it needs its proper theory of interpretation. We outline its principal features and call it the “hermeneutics of inappropriateness","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41836169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.9
Miriam Löwensteinová, Matěj Valošek, Sunbee Yu
A REPRESENTATIVE OF COLD WAR FICTION? ROMAN KIM’S THE NOTEBOOK FOUND IN SUNCH’ON Roman Kim (1899–1967) was a Soviet Korean writer, Orientalist and counterintelligence officer, well-known in the 1950s and 1960s Eastern Europe as the author of political and spy novels such as The Girl from Hiroshima (1954), The Cobra under the Pillow (1962), The School of Phantoms (1965). This paper analyzes his famous novel The Notebook Found in Sunch’on (1951), its authenticity and message, not from the point of view of its literariness, but in the context of the 1950s. In this book Roman Kim openly accused Americans and Japanese that by the Korean conflict they tried to realize the “first of their ABC plan” leading eventually to World War III.
{"title":"Typický studenoválečný román? Sešit nalezený v Sunčchonu Romana Kima","authors":"Miriam Löwensteinová, Matěj Valošek, Sunbee Yu","doi":"10.14712/23366729.2023.1.9","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.9","url":null,"abstract":"A REPRESENTATIVE OF COLD WAR FICTION? ROMAN KIM’S THE NOTEBOOK FOUND IN SUNCH’ON Roman Kim (1899–1967) was a Soviet Korean writer, Orientalist and counterintelligence officer, well-known in the 1950s and 1960s Eastern Europe as the author of political and spy novels such as The Girl from Hiroshima (1954), The Cobra under the Pillow (1962), The School of Phantoms (1965). This paper analyzes his famous novel The Notebook Found in Sunch’on (1951), its authenticity and message, not from the point of view of its literariness, but in the context of the 1950s. In this book Roman Kim openly accused Americans and Japanese that by the Korean conflict they tried to realize the “first of their ABC plan” leading eventually to World War III.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47724150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-05DOI: 10.14712/23366729.2023.1.3
Ondřej Vinš
WHEN THE GESTAPO KNOCK AT YOUR DOOR: THE COMIC AND (DARK) HUMOUR (NOT ONLY) IN VLADIMÍR BORECKÝ’S PERSPECTIVE The aim of the following article is to define the concepts of the comic and (dark) humour employing the work of Vladimír Borecký, a Czech scholar and author of the typology of the comic. The text focuses on various features and manifestations of dark humour in selected Czech anecdotes from WWII.
{"title":"Přijde gestapák na inspekci K pojmům komika a (černý) humor nejen u Vladimíra Boreckého","authors":"Ondřej Vinš","doi":"10.14712/23366729.2023.1.3","DOIUrl":"https://doi.org/10.14712/23366729.2023.1.3","url":null,"abstract":"WHEN THE GESTAPO KNOCK AT YOUR DOOR: THE COMIC AND (DARK) HUMOUR (NOT ONLY) IN VLADIMÍR BORECKÝ’S PERSPECTIVE The aim of the following article is to define the concepts of the comic and (dark) humour employing the work of Vladimír Borecký, a Czech scholar and author of the typology of the comic. The text focuses on various features and manifestations of dark humour in selected Czech anecdotes from WWII.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44584815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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