The Phenomenon of Unreliable Narration in the British Intellectual Prose of the Second Half of the Twentieth Century (Golding, Murdoch)

Olha Shapoval, I. Bakhov, A. Mosiichuk, O. Kozachyshyna, L. Pradivlianna, N. Malashchuk-Vyshnevska
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Abstract

The article is devoted to the consideration the problem of the phenomenon of an unreliable narration in the British intellectual prose of the second half of the twentieth century (Golding, Murdoch). The meaning of the words “narrator”, “unreliable narration” is investigated. The unreliable narration is reviewed based on the example of the novel “Rites of Passage” by Golding (1980). It is noted that the aforementioned work has a vibrant didactic component. It has been found that Golding uses a wide range of narrative techniques. The emphasis is made on the critical analysis by other literary scholars of the novel “Rites of Passage” by Golding. The use of narrative strategies in accordance with the scientific classification by Genette (1980) is investigated. The markers of unreliability of the narrators are emphasized. Attention is focused on the fact that a high degree of unreliability is based on the limited knowledge of the heroes, direct participation in the events, a problematic system of values. It is noted that the unreliability of narration in the novel “Rites of Passage” by Golding forces the reader to doubt not only the narrator but oneself. The use of the narrative method in the intellectual prose of the British writer Iris Murdoch is investi-gated. It has been found that the novel “The Black Prince” by Iris Murdock (2006) is one of the best examples of an unreliable narration. The genre specifics of the novel are emphasized, which combines the forms of the diary, of the memoir and of the confession. In addition, Murdoch creates a narrative strategy, which combines signs of various forms of “I am the narrator” within the framework of one narrative. In addition, “The Black Prince” is a unique model of modern artistic and philosophical metatext genre formation.
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20世纪下半叶英国知识分子散文中的不可靠叙事现象(戈尔丁,默多克)
本文致力于对二十世纪下半叶英国知识分子散文中不可靠叙述现象的问题进行思考(戈尔丁,默多克)。对“叙述者”、“不可靠叙述”等词的含义进行了探讨。本文以戈尔丁(1980)的小说《成人礼》为例,对不可靠叙事进行了评述。值得注意的是,上述工作有一个充满活力的教学成分。人们发现戈尔丁运用了广泛的叙事技巧。重点分析了其他文学学者对戈尔丁小说《成人礼》的批判性分析。根据Genette(1980)的科学分类,对叙事策略的使用进行了研究。强调了叙述者不可靠的标志。人们的注意力集中在这样一个事实上,即高度的不可靠性是基于对英雄的有限了解、对事件的直接参与、一个有问题的价值观体系。戈尔丁的小说《通过的仪式》中叙述的不可靠性迫使读者不仅怀疑叙述者,而且怀疑自己。本文考察了英国作家艾里斯·默多克在知性散文中运用叙事方法的情况。人们发现,艾里斯·默多克的小说《黑王子》(2006)是不可靠叙述的最好例子之一。强调小说的体裁特点,结合了日记、回忆录和自白的形式。此外,默多克还创造了一种叙事策略,将“我是叙述者”的各种形式的标志结合在一个叙事的框架内。此外,《黑王子》是现代艺术哲学元文本类型形成的独特典范。
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Postmodern Openings
Postmodern Openings SOCIAL SCIENCES, INTERDISCIPLINARY-
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