Self-Suggestion in the Tuskegee Machine: Technical Drawing under Jim Crow

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Grey Room Pub Date : 2022-04-01 DOI:10.1162/grey_a_00341
Maura Lucking
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Abstract

time corresponding with architects. Letters inquiring as to the status of building projects, the late delivery of plans, and instructions for paint colors abound in his as likely to come from his office on the Tuskegee Normal and Industrial Institute campus in Alabama as from hotel rooms in Manhattan or Washington, where he frequently for public speaking engagements and advisory meetings with politicians and industrialists. 1 Whenever possible, he preferred to weigh in personally—whether on design decisions for school buildings or the day-to-day management of classroom activities. For architectural instructors Robert Robinson Taylor, Wallace Rayfield, and William Sidney Pittman, these two were often the same thing. Both manual and mental labor were integral to achieve Washington’s favorite material substantiation of the school’s mission and achievements: that students collaborate to design and build their own campus.
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在塔斯基吉机器上的自我建议:吉姆·克劳的技术制图
时间与建筑师相对应。询问建筑工程进度、计划延迟交付、油漆颜色指示等问题的信件在他的办公室里比比皆是,既可能来自他位于阿拉巴马州塔斯基吉师范与工业学院校园的办公室,也可能来自曼哈顿或华盛顿的酒店房间,他经常在那里参加公开演讲,并与政治家和工业家举行咨询会议。只要有可能,他喜欢亲自参与——无论是学校建筑的设计决策,还是课堂活动的日常管理。对于建筑导师Robert Robinson Taylor、Wallace Rayfield和William Sidney Pittman来说,这两者通常是同一件事。体力劳动和脑力劳动都是不可或缺的,以实现华盛顿最喜欢的学校使命和成就的物质基础:学生合作设计和建造自己的校园。
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来源期刊
Grey Room
Grey Room HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
5
期刊介绍: Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of current aesthetic and critical debates. Featuring original articles, translations, interviews, dossiers, and academic exchanges, Grey Room emphasizes aesthetic practice and historical and theoretical discourse that appeals to a wide range of readers, including architects, artists, scholars, students, and critics.
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