‘I wanna kill my rapist’: Margaret Cho’s #12DaysofRage campaign as promotional digital activism

IF 1.2 Q3 COMMUNICATION Communication and the Public Pub Date : 2022-07-22 DOI:10.1177/20570473221111200
Madison Trusolino
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Abstract

On November 1, 2015, comedian Margaret Cho announced a two-part campaign inspired by her history as a sexual-abuse survivor, to promote her new music video ‘I Wanna Kill My Rapist’. This included the creation of the hashtag #12DaysofRage. In this article, I explore how Cho used her status as a celebrity to circulate #12DaysofRage which acted as a discursive intervention in rape culture. I used content analysis and thematic analysis to identify themes in the archive of 2401 tweets I collected. I also performed a feminist discourse analysis on both the tweets and news coverage of the campaign to situate the hashtag within its historical, social, and political context. I argue that Cho performed what I call ‘promotional activism’, a subsection of celebrity activism where a celebrity promotes a cause as part of the promotion of a particular project or product. Cho’s choice to centre herself in the campaign made it impossible to separate Cho from the hashtag, preventing #12DaysofRage from greater viral potential, but still acting as a resonant, but ephemeral, gathering point for survivor-focused advocacy.
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“我想杀了强奸我的人”:玛格丽特·赵发起的#12DaysofRage活动,作为推广数字激进主义
2015年11月1日,喜剧演员玛格丽特·赵宣布了一项由两部分组成的活动,以宣传她的新音乐视频“我想杀了我的强奸犯”。这包括创建#12DaysofRage标签。在这篇文章中,我探讨了赵显娥如何利用她的名人身份来传播#12DaysofRage,这是对强奸文化的话语干预。我使用内容分析和主题分析来识别我收集的2401条tweet的归档中的主题。我还对该活动的推文和新闻报道进行了女权主义话语分析,将该标签置于其历史、社会和政治背景中。我认为赵执行了我所谓的“推广行动主义”,这是名人行动主义的一个分支,名人推动一项事业,作为推广特定项目或产品的一部分。Cho选择将自己置于活动的中心,这使得她不可能与标签分开,阻止了#12DaysofRage获得更大的病毒传播潜力,但仍然作为一个共鸣,但短暂的,以幸存者为中心的倡导的聚集点。
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CiteScore
3.20
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2.80%
发文量
13
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