The post-heroism of Stuur Groete aan Mannetjies Roux and Verraaiers

IF 0.4 3区 文学 0 LITERATURE Tydskrif vir letterkunde Pub Date : 2023-05-08 DOI:10.17159/tl.v60i1.15059
Chris Broodryk, Daniel A. Britz
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Abstract

There is much scholarship on the linkages between Afrikaner nationalism and South African (Afrikaans-language) filmmaking. Within the context of a sustained post-apartheid renegotiation of Afrikaans or Afrikaner nationalism in the popular imagination, in this article we argue that two feature film historical dramas from the production company Bosbok Ses Films, Stuur groete aan Mannetjies Roux (2013) and Verraaiers (2013), resonate thematically and aesthetically with Thomas Elsaesser’s notion of post-heroic cinema. While a number of pre-1994 Afrikaans-language films celebrated Afrikaner nationalism as personified in the figure of the hero, this article positions and uses Elsaesser’s post-heroism as a critical lens through which to demonstrate the ways in which these two films call attention to a post-hero whose actions and behaviour (often inadvertently) renders a productive renegotiating of the hero figure within a post-apartheid cinematic context. To supplement Elsaesser, we also draw on Johan Degenaar’s writing on political pluralism. In this article, we find that an Elsaesserian post-heroic approach to the two films allows the following constitutive components of post-heroic cinema to surface: atemporality as opposed to linear narrative time, parapraxis (productive failure) as opposed to traditional iterations of heroic acts and valour, and conceiving of the film screen as a surface in flux as opposed to the screen as a mirror. The article’s contribution to existing scholarship on contemporary Afrikaans-language cinema is three-fold: it is the first to utilise an Elsaesserian approach to Afrikaans film and as such to foreground and investigate the figure of the post-hero, it provides a critical account of two independently-made feature films that remain under-researched in current South African film scholarship, and it contributes to discourse around the ways in which popular media inform and respond to the renegotiation of Afrikaans (or Afrikaans) identity.
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Stuur Groete aan Mannetjies Roux和Verraaiers的后英雄主义
关于阿非利卡民族主义和南非(阿非利卡语)电影制作之间的联系,有很多学术研究。在南非荷兰语或阿非利卡民族主义在大众想象中的持续后种族隔离重新谈判的背景下,在本文中,我们认为来自制作公司Bosbok Ses Films的两部故事片历史剧,Stuur groete aan Mannetjies Roux(2013)和Verraaiers(2013),在主题和美学上与托马斯·埃尔萨塞尔的后英雄电影概念产生共鸣。1994年之前的许多阿非利卡语电影都将阿非利卡民族主义视为英雄形象的化身,而本文则将埃尔萨塞尔的后英雄主义作为一个批判性的镜头,通过这两个镜头来展示这两部电影如何引起人们对后英雄的关注,他们的行动和行为(通常是无意的)在后种族隔离电影背景下对英雄形象进行了富有成效的重新谈判。为了补充Elsaesser,我们还引用了Johan Degenaar关于政治多元化的著作。在本文中,我们发现,对这两部电影的埃尔萨塞尔式后英雄主义方法允许后英雄主义电影的以下构成要素浮出水面:与线性叙事时间相反的非时间性,与英雄行为和英勇的传统迭代相反的parapraxx(生产失败),以及将电影屏幕视为不断变化的表面,而不是将屏幕视为镜子。这篇文章对当代南非荷兰语电影的现有学术贡献有三个方面:这是第一部利用Elsaesserian方法来研究南非荷兰语电影的作品,并以此来展望和调查后英雄的形象,它提供了两部独立制作的故事片的批判性描述,这些故事片在当前的南非电影学术研究中仍未得到充分的研究,它有助于围绕大众媒体告知和回应南非荷兰语(或南非荷兰语)身份重新谈判的方式进行讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
48
审稿时长
16 weeks
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