Space Versus Time: Flattening History. An Architectural History Perspective

IF 0.4 0 ARCHITECTURE Architectural Histories Pub Date : 2022-03-14 DOI:10.16995/ah.8283
C. Popescu
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Abstract

The paper explores how architectural historiography, during the several stages of its building, managed to flatten historicity through the spatialization of its discourse. It does so by following this process in the longue durée, from taking in account ‘barbarian’ architectures (Quatremère, Seroux d’Agincourt) and distinguishing ‘non-historical styles’ (Banister Fletcher), to turning peripheries into productive territories of architectural resistance (the theories on critical regionalism) or to shaping a global histories of architecture. I argue that this process was triggered by gradually emphasizing space over time. The focus on space changed the dynamics of the narrative from a vertical construction to an increasingly horizontal perception of the architectural production through the ages. During its evolution, the historiographic discourse got complexified through a twofold understanding of space, both in terms of doctrinal conceptualization (space being presented as the very essence of architecture) and in terms of geographical expansion. The paper follows several threads which concurred to weave the historiographical narratives in the succeeding works of architectural history. It starts by analyzing the foundations of the architectural historicity, questioning the role and place of conceptual models (such as the ‘primitive hut’) and schemes (the ‘tree of architecture’), moving to a gradual dismantling of its temporality through the shaping of a modernist historiography and, eventually, through the emergence of marginal historiographic territories. Though indirectly, by looking at the flattening of history from an architectural history perspective, I am interested to tackle what means writing history today.
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空间与时间:平抑历史。建筑史透视
本文探讨了建筑史学在其建设的几个阶段是如何通过其话语的空间化来扁平化历史性的。它通过长期遵循这一过程做到了这一点,从考虑“野蛮”建筑(Quatremère,Seroux d‘Agincourt)和区分“非历史风格”(Banister Fletcher),到将周边地区变成建筑抵抗的生产区(批判性地区主义理论)或塑造全球建筑史。我认为,这个过程是由随着时间的推移逐渐强调空间而引发的。对空间的关注改变了叙事的动态,从垂直的建筑转变为对各个时代建筑作品越来越横向的感知。在其演变过程中,史学话语通过对空间的双重理解而变得复杂,既有理论概念化(空间被视为建筑的本质),也有地理扩张。本文遵循了几条线索,这些线索共同编织了建筑史后续作品中的历史叙事。它从分析建筑历史性的基础开始,质疑概念模型(如“原始小屋”)和方案(“建筑之树”)的作用和位置,通过现代主义史学的塑造,最终通过边缘历史领域的出现,逐步拆除其时间性。虽然间接地,通过从建筑史的角度看待历史的扁平化,我有兴趣探讨今天写历史意味着什么。
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来源期刊
Architectural Histories
Architectural Histories ARCHITECTURE-
CiteScore
0.70
自引率
0.00%
发文量
16
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