Family portrait

Q3 Arts and Humanities Diacritica Pub Date : 2020-07-31 DOI:10.21814/diacritica.566
Maria Luísa Coelho
{"title":"Family portrait","authors":"Maria Luísa Coelho","doi":"10.21814/diacritica.566","DOIUrl":null,"url":null,"abstract":"Helena Almeida (1934-2018) is one of the most interesting and relevant artists in Portuguese contemporary art, having produced an oeuvre of great integrity and consistency, in which the body of the artist and processes of self-representation (always in an ambivalent, subversive and transgressive relation with that same art tradition) took centre stage. Taking the work Family portrait (1979) as its starting point, this article will explore the relation Almeida had with the familiar, be it in personal, artistic or national terms, as all these dimensions of the concept cannot be dissociated from each other when we look at this artist’s oeuvre. ","PeriodicalId":33760,"journal":{"name":"Diacritica","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Diacritica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21814/diacritica.566","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

Helena Almeida (1934-2018) is one of the most interesting and relevant artists in Portuguese contemporary art, having produced an oeuvre of great integrity and consistency, in which the body of the artist and processes of self-representation (always in an ambivalent, subversive and transgressive relation with that same art tradition) took centre stage. Taking the work Family portrait (1979) as its starting point, this article will explore the relation Almeida had with the familiar, be it in personal, artistic or national terms, as all these dimensions of the concept cannot be dissociated from each other when we look at this artist’s oeuvre. 
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
全家福
海伦娜·阿尔梅达(Helena Almeida,1934-2018)是葡萄牙当代艺术中最有趣、最相关的艺术家之一,他创作了一部完整一致的作品,其中艺术家的身体和自我表现过程(与同一艺术传统始终处于矛盾、颠覆和越轨的关系中)占据了中心舞台。本文以作品《全家福》(1979)为出发点,探讨阿尔梅达与熟悉的人之间的关系,无论是个人的、艺术的还是国家的,因为当我们审视这位艺术家的作品时,这个概念的所有这些维度都不能相互分离。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Diacritica
Diacritica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
36
审稿时长
24 weeks
期刊最新文献
Conhecimento linguístico e gêneros discursivos digitais: correlações possíveis a partir de fenômenos variáveis em interações por chat Da difícil aquisição do conjuntivo versus indicativo por aprendentes portugueses e francófonos Perceção das consoantes fricativas do português língua segunda por aprendentes chineses Um estudo empírico sobre a validade da hipótese de flutuação na aquisição do artigo em português por aprendentes chineses Papel da língua materna nos fraseologismos em PLE. Um estudo com aprendentes chineses
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1