Bird of Paradise: The Evolving Song of Milton’s Nightingale

IF 0.1 2区 文学 0 POETRY Milton Studies Pub Date : 2022-08-01 DOI:10.5325/miltonstudies.64.2.0200
Mary R. Robinson
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Abstract

abstract:The nightingale is a frequent presence in Paradise Lost —not only as metaphor, but as part of the underlying music of Eden. Diverging from readings that focus on Milton’s identification with the bird, this article begins with his early poetry in order to examine his changing engagement with the nightingale and Philomela’s voice. It then shows how the nightingale becomes a symbol of violated nature in Paradise Lost rather than a representation of the poet himself. Milton’s evolving use of the nightingale speaks to both his poetic development and his great care for the natural world. Carefully listening to Milton’s nightingale offers new ways to understand the ecofeminist significance of her song—and, ultimately, her silence—in Paradise Lost.
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天堂鸟:弥尔顿笔下夜莺的进化之歌
夜莺在《失乐园》中频繁出现——不仅作为隐喻,而且作为伊甸园潜在音乐的一部分。与关注弥尔顿对鸟的认同的阅读不同,这篇文章从他早期的诗歌开始,以研究他对夜莺和菲洛美拉声音的改变。然后,它展示了夜莺如何成为《失乐园》中被侵犯的自然的象征,而不是诗人本人的代表。弥尔顿对夜莺的不断运用,既说明了他诗歌的发展,也说明了他对自然世界的极大关注。仔细聆听弥尔顿的夜莺歌声,为理解她在《失乐园》中的歌声——最终是她的沉默——所具有的生态女权主义意义提供了新的途径。
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来源期刊
Milton Studies
Milton Studies POETRY-
CiteScore
0.40
自引率
50.00%
发文量
12
期刊介绍: Milton Studies is published annually by the University of Pittsburgh Press as a forum for Milton scholarship and criticism.
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