{"title":"Embedding Crimea in Russia(n Empire): Russian views on Crimea in the series ‘Kurt Seyit and Shura/Alexandra’","authors":"D. Brileva","doi":"10.1177/17480485231152871","DOIUrl":null,"url":null,"abstract":"Despite the Russian viewers’ interest in Turkish TV series, only a few Turkish TV series got aired on a federal channel in Russia. One of them is ‘Kurt Seyit and Shura.’ It was broadcast in Turkey between 4 March and 20 November 2014, coinciding with the beginning and the acute phase of Russia's annexation of Crimea. The historical context of the events depicted in the TV series (especially St Petersburg and Crimea in late imperial Russia) aligns to the highest with the new Russian ideology, which began to consider Crimea a part of modern Russia. Soon the series got translated into Russian and broadcast in Russia on a federal channel. Ironically, for the Russian audience, it exemplified the historical integration of Crimean Tatars in the history of the Russian Empire. The article considers perception of the TV series in Russia as ‘misunderstanding’ between two cultural hegemonies: Turkey and Russia.","PeriodicalId":47303,"journal":{"name":"International Communication Gazette","volume":"85 1","pages":"307 - 324"},"PeriodicalIF":1.3000,"publicationDate":"2023-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Communication Gazette","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/17480485231152871","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
Despite the Russian viewers’ interest in Turkish TV series, only a few Turkish TV series got aired on a federal channel in Russia. One of them is ‘Kurt Seyit and Shura.’ It was broadcast in Turkey between 4 March and 20 November 2014, coinciding with the beginning and the acute phase of Russia's annexation of Crimea. The historical context of the events depicted in the TV series (especially St Petersburg and Crimea in late imperial Russia) aligns to the highest with the new Russian ideology, which began to consider Crimea a part of modern Russia. Soon the series got translated into Russian and broadcast in Russia on a federal channel. Ironically, for the Russian audience, it exemplified the historical integration of Crimean Tatars in the history of the Russian Empire. The article considers perception of the TV series in Russia as ‘misunderstanding’ between two cultural hegemonies: Turkey and Russia.
期刊介绍：
International Communication Gazette is a major international, peer-reviewed journal. It aims to contribute to a fuller knowledge and understanding of: -the structures and processes of international communication -the regulatory regimes in the field of international communication -the interaction between international and national flows of communication -the complexities of intercultural communication across national borders The International Communication Gazette seeks contributions that are international comparative in scope. The journal aims, wherever possible, to publish work by authors with an international reputation and contributions that are of interest to international audiences. The journal: -invites contributions that focus on international issues in the field of communication studies -seeks contributions comparing two or more countries or regions and only accept contributions on national issues in case the global significance of such issues is paramount -draws on high quality work from the international community of communication researchers -encourages innovative approaches to theoretical and methodological developments in the communications field -ensures that articles are written in transparent terminology and lucid style to render them accessible across the borders of specific disciplines
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