{"title":"‘Ghosts don’t cry’: state of exception and the mother(land) in Pedro Almodóvar’s Live Flesh (1997) and Volver (2006)","authors":"M. Camino","doi":"10.1080/17411548.2022.2087050","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in European Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411548.2022.2087050","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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