Pub Date : 2024-07-22DOI: 10.1080/17411548.2024.2380559
Dina Iordanova
Published in Studies in European Cinema (Ahead of Print, 2024)
发表于《欧洲电影研究》（2024 年提前出版）
{"title":"Les écrans turcophones","authors":"Dina Iordanova","doi":"10.1080/17411548.2024.2380559","DOIUrl":"https://doi.org/10.1080/17411548.2024.2380559","url":null,"abstract":"Published in Studies in European Cinema (Ahead of Print, 2024)","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"67 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141770532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-18DOI: 10.1080/17411548.2024.2380561
Kierran Horner
Published in Studies in European Cinema (Ahead of Print, 2024)
发表于《欧洲电影研究》（2024 年提前出版）
{"title":"The sustainable legacy of Agnès Varda: feminist practice and pedagogy","authors":"Kierran Horner","doi":"10.1080/17411548.2024.2380561","DOIUrl":"https://doi.org/10.1080/17411548.2024.2380561","url":null,"abstract":"Published in Studies in European Cinema (Ahead of Print, 2024)","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"62 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141741635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-17DOI: 10.1080/17411548.2024.2380558
Andrew Spicer
Published in Studies in European Cinema (Ahead of Print, 2024)
发表于《欧洲电影研究》（2024 年提前出版）
{"title":"Hollywood remakes of iconic British films: class, gender and stardom","authors":"Andrew Spicer","doi":"10.1080/17411548.2024.2380558","DOIUrl":"https://doi.org/10.1080/17411548.2024.2380558","url":null,"abstract":"Published in Studies in European Cinema (Ahead of Print, 2024)","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"62 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141741636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-31DOI: 10.1080/17411548.2024.2360856
Owen Evans
Published in Studies in European Cinema (Vol. 21, No. 2, 2024)
发表于《欧洲电影研究》（第 21 卷第 2 期，2024 年）
{"title":"New screens, new talents","authors":"Owen Evans","doi":"10.1080/17411548.2024.2360856","DOIUrl":"https://doi.org/10.1080/17411548.2024.2360856","url":null,"abstract":"Published in Studies in European Cinema (Vol. 21, No. 2, 2024)","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141258467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-04DOI: 10.1080/17411548.2024.2333130
Matthew Smith
Using the work of Pamela Robertson Wojcik, this article positions the Dardennes treamtment of the child as an example of ‘slow death cinema’ (Robertson Wojcik, 2021) an exntesion of Laurent Berlant...
{"title":"Precarity, Liminality, mobility: childhood in the cinema of the Dardenne Brothers","authors":"Matthew Smith","doi":"10.1080/17411548.2024.2333130","DOIUrl":"https://doi.org/10.1080/17411548.2024.2333130","url":null,"abstract":"Using the work of Pamela Robertson Wojcik, this article positions the Dardennes treamtment of the child as an example of ‘slow death cinema’ (Robertson Wojcik, 2021) an exntesion of Laurent Berlant...","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"76 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140568444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-03DOI: 10.1080/17411548.2024.2322181
Owen Evans
Published in Studies in European Cinema (Vol. 21, No. 1, 2024)
发表于《欧洲电影研究》（第 21 卷第 1 期，2024 年）
{"title":"Experiencing films","authors":"Owen Evans","doi":"10.1080/17411548.2024.2322181","DOIUrl":"https://doi.org/10.1080/17411548.2024.2322181","url":null,"abstract":"Published in Studies in European Cinema (Vol. 21, No. 1, 2024)","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140037070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-28DOI: 10.1080/17411548.2024.2320493
José Pinto, Margarida Medeiros
This article addresses the music and its interactions in two films directed by João César Monteiro – Recordações da Casa Amarela [Recollections of the Yellow House] and A Comédia de Deus [God’s Com...
{"title":"João de Deus’s musical perversions: a case study on the music and sexuality in two films by João César Monteiro","authors":"José Pinto, Margarida Medeiros","doi":"10.1080/17411548.2024.2320493","DOIUrl":"https://doi.org/10.1080/17411548.2024.2320493","url":null,"abstract":"This article addresses the music and its interactions in two films directed by João César Monteiro – Recordações da Casa Amarela [Recollections of the Yellow House] and A Comédia de Deus [God’s Com...","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"20 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140003554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-22DOI: 10.1080/17411548.2024.2319850
Indumathi Somashekar, Nivedhitha D, Melwyn S. Pinto
This essay through literature and textual analysis argues that romance or romantic love is a dominant theme in Alfred Hitchcock’s films alongside suspense. Romance in Hitchcock’s films is highlight...
{"title":"Romance and Hitchcock? Viewing master of suspense as master of romance","authors":"Indumathi Somashekar, Nivedhitha D, Melwyn S. Pinto","doi":"10.1080/17411548.2024.2319850","DOIUrl":"https://doi.org/10.1080/17411548.2024.2319850","url":null,"abstract":"This essay through literature and textual analysis argues that romance or romantic love is a dominant theme in Alfred Hitchcock’s films alongside suspense. Romance in Hitchcock’s films is highlight...","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"38 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-19DOI: 10.1080/17411548.2024.2319406
Atėnė Mendelytė
Award-winning Norwegian filmmaker Aslaug Holm’s Brothers (Brødre, 2015) is a documentary that explores the question of how to imbue contingency with significance and extract what is the most real (...
{"title":"The motherly gaze in Aslaug Holm’s Brothers (Brødre, 2015)","authors":"Atėnė Mendelytė","doi":"10.1080/17411548.2024.2319406","DOIUrl":"https://doi.org/10.1080/17411548.2024.2319406","url":null,"abstract":"Award-winning Norwegian filmmaker Aslaug Holm’s Brothers (Brødre, 2015) is a documentary that explores the question of how to imbue contingency with significance and extract what is the most real (...","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"97 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139950385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-19DOI: 10.1080/17411548.2024.2319876
William Brown
Published in Studies in European Cinema (Ahead of Print, 2024)
发表于《欧洲电影研究》（2024 年提前出版）
{"title":"Black Film British Cinema II","authors":"William Brown","doi":"10.1080/17411548.2024.2319876","DOIUrl":"https://doi.org/10.1080/17411548.2024.2319876","url":null,"abstract":"Published in Studies in European Cinema (Ahead of Print, 2024)","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"65 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139909869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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