Isaiah 55–66 and the Psalms: Shared Viewpoints, Literary Similarities, and Neighboring Authors

IF 0.5 1区 哲学 0 RELIGION Journal of Biblical Literature Pub Date : 2022-06-15 DOI:10.15699/jbl.1412.2022.5
U. Berges
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引用次数: 1

Abstract

Abstract:One of the main results of the last thirty years of research on the books of Isaiah and Psalms is that both are not just collections of individual texts but well-organized compositions. This is not unique to Isaiah and Psalms but applies to every book of the Old Testament. What is very special about these two books, however, is the centrality of Zion, the contrast of the righteous and the wicked, the inclusion of non-Israelites, the singing to YHWH, and the reservation regarding the sacrificial cult. A few scholars have already put forward the idea of temple singers as collective authors, who had begun their oratorio of hope in the Babylonian exile and continued it after their return to Jerusalem under Darius, connecting it to the literary heritage of Isaiah ben Amoz and his disciples. In this article, I further test the closeness of Isaiah and Psalms by analyzing some striking similarities between Isa 55–66 and the book of Psalms. The goal of this research is not to prove the identity of the authors of both compositions but to substantiate their intellectual neighborhood in postexilic times.
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以赛亚书55-66和诗篇:共同的观点,文学上的相似性,和相邻的作者
摘要:近三十年来对《以赛亚书》和《诗篇》的研究的主要成果之一是,这两本书不仅是个别文本的集合,而且是组织严密的作品。这并不是以赛亚和诗篇所独有的,而是适用于旧约的每一本书。然而,这两本书的特别之处在于锡安的中心地位,正义与邪恶的对比,非以色列人的加入,对YHWH的歌唱,以及对祭祀邪教的保留。一些学者已经提出了寺庙歌手作为集体作家的想法,他们在巴比伦流亡期间开始了他们的希望清唱剧,并在大流士统治下返回耶路撒冷后继续进行,将其与以赛亚·本·阿莫斯及其弟子的文学遗产联系起来。在这篇文章中,我通过分析《以赛亚书55-66》和《诗篇》之间的一些惊人相似之处,进一步检验了《以赛亚书》与《诗篇》的紧密性。这项研究的目的不是证明这两篇文章的作者的身份,而是证实他们在后流亡时代的知识邻域。
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来源期刊
CiteScore
1.10
自引率
16.70%
发文量
30
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