Preservation of the manifestation of Balinese cultural traditions in the current architecture of public buildings: a case study of the Mandala Agung building of the Puri Ahimsa resort in Mambal Village – Bali

Pub Date : 2021-04-14 DOI:10.1080/13556207.2021.1910402
A. Suryono
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Abstract

ABSTRACT The Mandala Agung at Puri Ahimsa displays the concept of ‘Architecture being non-architectural’ yet it remains based on Balinese culture. This paper reveals the forms of local traditions in the lay-out and preservation of these buildings in a qualitative-descriptive manner. The Balinese physical-social value system is revealed through sense-purpose-essence-awareness. The lay-out of Puri Ahimsa signifies Cosmic Balance through the harmonious relations between humans, God, and nature. Architecturally, Mandala Agung is a synthesis of the rice cone form and the openness of Balinese traditional pavilions (wantilan), applying the Cosmic Balance through space in forming harmonious relationships. Singling out the roof as the divine realm, the inner space is regarded as a human realm (Tri Loka concept). The semi-circular space with the doors in opposite directions signifies the balance of opposing forces. Natural balance and the Tri Hita Karana philosophy are maintained in the Puri Ahimsa lay-out. The shape and the openness of the wantilan are adapted to the Mandala Agung architecture, while the Nawa Sanga concept is adapted to the eight main pillars and the sky-light roof. Tri Hita Karana is maintained in the inner space, and the philosophy of Desa Kala Patra is concretised through its uniqueness for today’s activities.
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在当前的公共建筑中保留巴厘岛文化传统的表现形式:以巴厘岛曼巴尔村Puri Ahimsa度假村的Mandala Agung建筑为例
Puri Ahimsa的曼陀罗阿贡(Mandala Agung)展示了“建筑非建筑”的概念,但它仍然基于巴厘岛文化。本文以定性描述的方式揭示了这些建筑在布局和保护中的当地传统形式。巴厘人的物质社会价值体系是通过感官-目的-本质-意识来揭示的。Puri Ahimsa的布局通过人、神和自然之间的和谐关系象征着宇宙的平衡。在建筑上,Mandala Agung是稻锥形式和巴厘岛传统亭子(wanantilan)的开放性的综合,通过空间应用宇宙平衡来形成和谐的关系。挑出屋顶作为神圣的领域,内部空间被视为人类的领域(Tri Loka概念)。门在相反方向的半圆形空间象征着对立力量的平衡。自然平衡和三Hita Karana哲学在Puri Ahimsa布局中得到维护。wanantilan的形状和开放性适应了Mandala Agung建筑,而Nawa Sanga的概念适应了八个主要支柱和天窗。Tri Hita Karana保留在内部空间中,Desa Kala Patra的哲学通过其在今天活动中的独特性而具体化。
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