Celebrating victory: art and war booty in Classical GrCelebrating victory: art and war booty in Classical Greeceeece

Dr.Sc. Lucia Novakova, Dr.Sc. Romana Šályová
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Abstract

The celebration of victory, along with the demonstration of power and invincibility, was one of the key elements of public art in advanced ancient civilizations. Ancient Greece was no exception. Classical Athenian art was largely funded by the Athenians’ military booty and the members of the Delian League. Every piece of work was designed to make the unity and power of the Greek world visible, led by Athens, to emphasize the difference between Greeks and those they called barbarians. Permanent monuments, tropaia , served to constantly remind people of the great triumphs of the Hellenes over defeated enemies. They began to appear during the Greco-Persian Wars. These were community works that later became a model for the propaganda repertoire of the Romans and other nations. However, there were not the only Greek memorials celebrating victory. In individual city-states and temple districts were buildings, sculptures and paintings celebrating the power of Hellenes that were complemented by literary works of poets and playwrights. The effort to make military power and superiority more visible in art was also characterized by the fratricidal battles of the Greeks during the Peloponnesian Wars.
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庆祝胜利:古典希腊的艺术与战利品
庆祝胜利,以及展示力量和无敌,是先进古代文明公共艺术的关键元素之一。古希腊也不例外。古典雅典艺术很大程度上是由雅典人的军事战利品和德里安联盟的成员资助的。每一件作品的设计都是为了展示雅典领导下的希腊世界的团结和力量,强调希腊人和他们所谓的野蛮人之间的区别。永久的纪念碑,tropaia,用来不断提醒人们希腊人战胜敌人的伟大胜利。它们在希腊-波斯战争期间开始出现。这些社区工作后来成为罗马人和其他国家宣传曲目的典范。然而,希腊庆祝胜利的纪念碑并不只有这些。在各个城邦和神庙区都有建筑、雕塑和绘画,颂扬希腊人的力量,并辅以诗人和剧作家的文学作品。在伯罗奔尼撒战争(Peloponnesian Wars)期间,希腊人在自相残杀的战斗中也表现出了在艺术中更明显地展现军事力量和优势的努力。
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