Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place

IF 0.2 3区 艺术学 0 MUSIC Organised Sound Pub Date : 2023-08-01 DOI:10.1017/S1355771823000377
Mattias Petersson
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Abstract

This article presents several scenarios in which a live coding environment called Paragraph was utilised to telematically play networked and geographically distributed hyperorgans. Situated within the framework of the Global Hyperorgan project, the TCP/Indeterminate Place Quartet have explored the affordances of the organ network through the concept of Tele-Copresence. By outsourcing certain dimensions of the parameter space of the Paragraph language to other members of the quartet, a shared instrumentality is enabled, where the organs are collaboratively controlled by means of this system. Rooted in a personal composer-performer practice and studied from the perspective of the live coder, the Paragraph system, adapted to the TCP/Indeterminate Place environment, can be understood as a modular system of human and non-human agents, into which the other musicians are patched. The distributed parameter space utilised, thus resembles a shared cantus firmus, a foundational, but dynamically changing, ecology for the live coder to play within.
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活编码全球超器官:不确定的地方的段落环境
本文介绍了几个场景,在这些场景中,一个名为Paragraph的实时编码环境被用来远程播放网络和地理分布的超级有机物。在全球超器官项目的框架内,TCP/不确定地点四重奏通过远程共现的概念探索了器官网络的可供性。通过将段落语言参数空间的某些维度外包给四人组的其他成员,实现了一种共享工具,通过该系统协同控制各机构。Paragraph系统植根于个人作曲家和表演者的实践,并从现场编码器的角度进行研究,适用于TCP/Indeterminate Place环境,可以理解为一个由人类和非人类代理组成的模块化系统,其他音乐家也加入其中。因此,所使用的分布式参数空间类似于一个共享的cantus firmus,这是一个基础但动态变化的生态,供现场编码人员在其中发挥作用。
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来源期刊
CiteScore
1.20
自引率
16.70%
发文量
38
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