{"title":"Commentary on Gilad Rabinovitch's \"Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode.\"","authors":"David Clampitt","doi":"10.18061/emr.v14i3-4.7571","DOIUrl":null,"url":null,"abstract":"This is a commentary accompanying Rabinovitch (2019), situating the research within some previous work on scale theory.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":"14 1","pages":"135-137"},"PeriodicalIF":0.6000,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/emr.v14i3-4.7571","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
This is a commentary accompanying Rabinovitch (2019), situating the research within some previous work on scale theory.
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