{"title":"Seeing the point for the line: Shakir Hassan Al Saʾid’s contemplative concept of the artwork","authors":"Saleem Al-Bahloly","doi":"10.1386/jciaw_00044_1","DOIUrl":null,"url":null,"abstract":"This article details how existential phenomenology, mystical theology and abstraction came together in the practice of Shakir Hassan Al Saʿid in the 1960s in order to produce a grammar of experience that might establish some human relationship to a universe rendered meaningless by scientific developments.","PeriodicalId":36575,"journal":{"name":"Journal of Contemporary Iraq and the Arab World","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Iraq and the Arab World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jciaw_00044_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
This article details how existential phenomenology, mystical theology and abstraction came together in the practice of Shakir Hassan Al Saʿid in the 1960s in order to produce a grammar of experience that might establish some human relationship to a universe rendered meaningless by scientific developments.
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