Frege's Curiously Two-Dimensional Concept-Script

Landon D. C. Elkind
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Abstract

In this paper I argue that the two-dimensional character of Frege’s Begriffsschrift plays an epistemological role in his argument for the analyticity of arithmetic. First, I motivate the claim that its two-dimensional character needs a historical explanation. Then, to set the stage, I discuss Frege’s notion of a Begriffsschrift and Kant’s epistemology of mathematics as synthetic a priori and partly grounded in intuition, canvassing Frege’s sharp disagreement on these points. Finally, I argue that the two-dimensional character of Frege’s notations play the epistemological role of facilitating our grasp of logical truths (foundational and derived) independently of intuition. The rest of this paper critically evaluates Frege’s view and discusses Macbeth’s (2005) account.
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弗雷格的奇异二维概念剧本
在本文中,我认为弗雷格的Begriffsschrift的二维特征在他关于算术分析性的论点中起着认识论的作用。首先,我认为它的二维特征需要一个历史解释。然后,为了搭建舞台,我讨论了弗雷格的Begriffsschrift概念和康德的数学认识论,它们是综合先验的,部分基于直觉,并探讨了弗雷格在这些问题上的尖锐分歧。最后,我认为弗雷格符号的二维特征起着认识论的作用,有助于我们独立于直觉来理解逻辑真理(基础真理和派生真理)。本文的其余部分批判性地评价了弗雷格的观点,并讨论了麦克白(2005)的叙述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of the History of Analytical Philosophy
Journal of the History of Analytical Philosophy Arts and Humanities-Philosophy
CiteScore
1.00
自引率
0.00%
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0
审稿时长
26 weeks
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