The case for team-based learning in higher education scriptwriting programmes: A narrative literature review

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION Journal of Screenwriting Pub Date : 2023-04-13 DOI:10.1386/josc_00115_1
Dee Hughes
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Abstract

Team-based learning (TBL) is a collaborative learning method that has been successfully adopted across a number of disciplines since its inception in the early 1970s. This article provides an exploration as to how it has been implemented and why it has not been adopted by arts-based disciplines on quite the same scale as those of scientific, medical, engineering and business-related subjects. The findings indicate that the time required to design a TBL course is a major hindrance to adoption. Other factors such as students’ reluctance to engage with the unfamiliar, unsuitable working spaces; the lack of guidance as to how to design the integral problem-solving exercises; an institutional culture not open to adopting new working practices and limited empirical evidence of the impact of TBL in arts and creative disciplines such as scriptwriting are all reasons given as to why TBL has not crossed wholesale into the study of arts-based subjects. Students are changing and it is therefore imperative that as educators we investigate and discover new ways to teach scriptwriting and arts-based subjects that meet the needs of the requirements of future generations.
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高等教育编剧课程中团队学习的案例:叙述文献综述
团队学习(TBL)是一种协作学习方法,自20世纪70年代初成立以来,已在多个学科中成功采用。本文探讨了它是如何实施的,以及为什么它没有被以艺术为基础的学科采用,其规模与科学、医学、工程和商业相关学科的规模相当。研究结果表明,设计TBL课程所需的时间是采用该课程的主要障碍。其他因素,如学生不愿参与陌生、不合适的工作空间;缺乏关于如何设计整体问题解决练习的指导;对采用新的工作实践持不开放态度的制度文化,以及TBL在艺术和创意学科(如编剧)中影响的有限经验证据,都是TBL没有全面进入艺术学科研究的原因。学生们正在发生变化,因此,作为教育工作者,我们必须调查并发现新的方法来教授脚本写作和艺术科目,以满足后代的需求。
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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