A Preliminary Study of the Lacquerware of the Northern Dynasties, with a Special Focus on the Pingcheng Period (398–493)

IF 0.3 4区 社会学 0 ASIAN STUDIES Early Medieval China Pub Date : 2019-01-01 DOI:10.1080/15299104.2019.1660087
S. Müller
{"title":"A Preliminary Study of the Lacquerware of the Northern Dynasties, with a Special Focus on the Pingcheng Period (398–493)","authors":"S. Müller","doi":"10.1080/15299104.2019.1660087","DOIUrl":null,"url":null,"abstract":"After the Han, lacquer finds in tombs in the Chinese world generally became rare both in the north and in the south. However, in northern China, especially during the Pingcheng period (398–493) of the Northern Wei, a certain resurgence was experienced. The later Northern Dynasties then see a drastic reduction in realia finds again. The lacquers in Pingcheng tombs were mostly used to present funerary offerings of sacrificed animals. Many lacquers were presumably products of previous ages, but some were newly manufactured in Pingcheng. In the Pingcheng funerary cult, lacquers were used in novel ways, and with novel ornamentation, as tableware for sacrifices took root in northern Shanxi. Such practices are not found elsewhere. The unique lacquer-painted coffins of Pingcheng bear images of Xianbei or Central Asians, accompanied mostly with motifs and patterns in the style of Yungang art. Based on a dominant human imagery accompanied by decorative elements, the possible origin of the famous lacquered screen from the tomb of Sima Jinlong is also briefly discussed.","PeriodicalId":41624,"journal":{"name":"Early Medieval China","volume":"2019 1","pages":"42 - 63"},"PeriodicalIF":0.3000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15299104.2019.1660087","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Medieval China","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15299104.2019.1660087","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 1

Abstract

After the Han, lacquer finds in tombs in the Chinese world generally became rare both in the north and in the south. However, in northern China, especially during the Pingcheng period (398–493) of the Northern Wei, a certain resurgence was experienced. The later Northern Dynasties then see a drastic reduction in realia finds again. The lacquers in Pingcheng tombs were mostly used to present funerary offerings of sacrificed animals. Many lacquers were presumably products of previous ages, but some were newly manufactured in Pingcheng. In the Pingcheng funerary cult, lacquers were used in novel ways, and with novel ornamentation, as tableware for sacrifices took root in northern Shanxi. Such practices are not found elsewhere. The unique lacquer-painted coffins of Pingcheng bear images of Xianbei or Central Asians, accompanied mostly with motifs and patterns in the style of Yungang art. Based on a dominant human imagery accompanied by decorative elements, the possible origin of the famous lacquered screen from the tomb of Sima Jinlong is also briefly discussed.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
北朝漆器初探——以平城时期(398-493)为例
汉朝以后,无论是在北方还是在南方,中国古墓中发现的漆器普遍变得罕见。然而,在中国北方,特别是在北魏平城年间(398-493),经历了一定程度的复苏。后来的北朝时期,文物发现再次急剧减少。平城墓葬中的漆器多用于祭品。许多漆可能是以前时代的产品,但也有一些是平城新制造的。在平城丧葬仪式中,漆器的使用方式新颖,装饰新颖,作为祭祀餐具在山西北部扎根。这种做法在其他地方是找不到的。平城独特的漆棺上绘有鲜卑人或中亚人的形象,大多带有云冈艺术风格的图案和图案。并以以人为主导的人物形象为基础,辅以装饰元素,对著名的司马金龙墓漆屏的可能起源进行了简要探讨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Early Medieval China
Early Medieval China ASIAN STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
8
期刊最新文献
Animality, Humanity, and Divine Power: Exploring Implicit Cannibalism in Medieval Weretiger Stories Nonhuman Self-cultivators in Early Medieval China: Re-reading a Story Type Mistaken Identities: Negotiating Passing and Replacement in Chinese Records of the Strange Diverging Conceptions of Apotheosis in Fourth-Century CE Upper Purity Daoism Lore and Verse: Poems on History in Early Medieval China
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1