Canto degli spiriti sopra le acque

A. Rizzuti
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Abstract

The article examines the different versions of Schubert's Choral Lied on a text by Goethe Gesang der Geister uber den Wassern, focusing mainly on the final version for male octet and string ensemble. The investigation starts with a semantic-morphological analysis of the verbal text and then concentrates on the solutions Schubert experimented with in an attempt to produce a setting as close as possible to the spirit of Goethe’s text.
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灵魂在水面上歌唱
本文考察了歌德·格桑·德·盖斯特·uber den Wassern的《舒伯特的合唱谎言》的不同版本,主要关注男性八重奏和弦乐合奏的最终版本。调查从言语文本的语义形态分析开始,然后集中于舒伯特尝试的解决方案,试图创造一个尽可能接近歌德文本精神的环境。
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审稿时长
50 weeks
期刊最新文献
Spiegare le note e il tempo con le parole. Appunti per una tipologia della recensione musicale in Italia Università e conoscenze: le relazioni fruttuose Un percorso didattico sul “Rigoletto” di Verdi: «La donna è mobile» e la voce come fantasma Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta” Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020
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