Citra Perempuan Pada Produk Rokok di Era Tahun 1930-1950

Sisca Shammania
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引用次数: 1

Abstract

Analysing cigarette advertisements that existed in ancient times, is an interesting study. Not only because the study is a study of the past, but the adverts in which make the figure of a woman become one of the most important icons in the process of marketing cigarette products. Starting from exposing women's bodies, to the brands of cigarettes taken from women's names. Photos or pictures contained therein have meaning and signs on the sheet, so this is the main object seen by a reader in interpreting the photo. it means that each photo has important points to study. Research entitled: Image of Women in Cigarette Products in the 1930-1950 Era in Indonesia. Aims to read the meaning that is written in it by describing the socio-cultural situation, maybe the politics around it or the ideological meanings contained therein. The methodology used in this research is descriptive, with a qualitative approach. The meaning referred to in this study is the meaning based on analysis using Roland Batrhes's Theory of Semiotics which is the meaning of denotation, connotation and myth. The meanings will appear on every sign that is captured by the reader through the five senses that are interpreted based on knowledge, and also the existing history of this study focuses on the past. The number of photos to be analyzed consists of three photos, which will be divided into several sections. With one photo to be broken down into objects, it aims to make it easier to read the meanings and meanings of denotations, the myths that are in it. As well as knowing the intention of the cigarette ad image maker, so that it can contain the formation of the image formed. There are 3 images formed from the results of a study of the advertisement photos of cigarette products, these are: image frames, imagery of fusion, and social imagery.
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20世纪30年代至50年代吸烟产品的女性形象
分析古代存在的香烟广告是一项有趣的研究。这不仅是因为这项研究是对过去的研究,而且广告中的女性形象成为香烟产品营销过程中最重要的标志之一。从暴露女性的身体开始,到取自女性名字的香烟品牌。照片或其中包含的图片在纸上有意义和符号,因此这是读者在解读照片时看到的主要对象。这意味着每张照片都有重要的研究点。题为《1930-1950年印尼香烟产品中的女性形象》的研究。目的是通过描述社会文化状况,可能是周围的政治或其中包含的意识形态含义来解读其中所写的含义。本研究采用的方法是描述性的,采用定性的方法。本研究所指的意义,是运用巴特符号学理论分析的意义,即指称意义、内涵意义和神话意义。意义将出现在读者通过基于知识的五种感官捕捉到的每一个迹象上,同时本研究的现有历史也集中在过去。要分析的照片数量由三张照片组成,这些照片将分为几个部分。通过将一张照片分解为多个对象,它旨在让人们更容易地理解外延的含义和含义,以及其中的神话。以及了解香烟广告图像制作者的意图,使其能够包含所形成的图像的形成。通过对卷烟产品广告照片的研究,形成了三种图像,即:图像框架、融合图像和社会图像。
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