An Illustrated Genealogy between the Ottomans and the Safavids

IF 0.7 2区 艺术学 0 ARCHITECTURE Muqarnas Pub Date : 2018-10-03 DOI:10.1163/22118993_03501P007
M. Taner
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Abstract

This paper focuses on an early seventeenth-century illustrated genealogy (Museum of Ethnography Ankara, No. 8457), which is stylistically attributable to Baghdad, and is iconographically and textually pro-Safavid at a point when Baghdad was under Ottoman rule. Taking the format of the illustrated genealogy, which was widespread in the Otto­man realm from the mid-sixteenth century onwards, the Ankara manuscript adapts the Ottoman genealogical tree tradition with a particularly Safavid tenor. In its immediate visual graspability and use of the genealogy as a methodological tool to claim legitimacy, this manuscript represents contested identities in the frontier province of Baghdad.
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奥斯曼人和萨法维人的图解家谱
本文关注的是一份17世纪早期的图解家谱(安卡拉民族志博物馆,编号8457),它在风格上属于巴格达,在图像上和文本上都是支持萨法维的,当时巴格达处于奥斯曼统治之下。采用图解家谱的格式,从16世纪中期开始在奥斯曼王国广泛使用,安卡拉手稿适应了奥斯曼家谱树的传统,特别具有萨法维男高音。在其直接的视觉可理解性和使用系谱作为一种方法工具来主张合法性,这份手稿代表了在巴格达边境省有争议的身份。
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来源期刊
Muqarnas
Muqarnas Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
25.00%
发文量
13
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