Woman in niqab and contestation of piety show-off in the media

Awanis Akalili, W. Udasmoro, Ratna Noviani
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Abstract

HIjrah is not only limited on human relation with God, but also how hijrah discourse existence is delivered in the media as discourse battle arena. Niqab is a characteristic of a woman going through hijrah. By using multimodality of Gunther Kress and Theo van Leuween, this critical discourse digs deeper on phenomena of woman in niqab and contestation of piety show-off in the media. Based on analysis performed on four accounts of woman with niqab in Instagram, narration found that the most massive show-off action of piety are performed by niqabis, that is in the act of religious activities, such as reading Al-Qur'an, praying, suggestion on sadaqa and five-times prayer. Moreover, piety representation is also performed by using quotes in Arabian language and Arabian woman figure as illustration to legitimate the hijrah journey of a woman in niqab. Piety, not only it displays woman in covering clothes, but also intersection with popular culture. It’s existence is put together with the incidentally profane Korean wave love romance  This phenomena shows a paradox where there is incorporation of religious sacredness with the often considered profane Korean wave.   
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戴面纱的妇女和虔诚的争论在媒体上炫耀
海吉拉不仅仅局限于人与神的关系,而是海吉拉话语存在如何在作为话语战场的媒介中传递。尼卡布(Niqab)是妇女经历海吉拉(hijrah)的特征。通过运用冈瑟·克雷斯和西奥·范·鲁维恩的多模态,这一批评性话语更深入地挖掘了戴面纱的女性现象和媒体中对虔诚炫耀的争论。通过对Instagram上四个戴着尼卡布的女性账号的分析,叙述者发现,最大规模的展示虔诚的行为是由尼卡布进行的,即在宗教活动的行为中,如诵读古兰经,祈祷,对萨达卡的建议,五次祈祷。此外,虔诚的表现也通过使用阿拉伯语的引语和阿拉伯妇女形象作为插图来证明戴着尼卡布的妇女的希吉拉之旅的合法性。虔诚,不仅体现在女性的裹衣上,也与大众文化有交集。它的存在与偶然出现的世俗韩流爱情浪漫联系在一起,这一现象显示了一个悖论,即宗教神圣性与通常被认为是世俗的韩流相结合。
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发文量
20
审稿时长
12 weeks
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