Possession, Politics, and Patriotism: The Influence of Christian Nationalism and Evangelical Horror Tropes on The Conjuring and The Conjuring 2

Zachary Doiron
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Abstract

This article studies evangelical horror fiction, such as the Left Behind series, Chick tracts, and the Hell House, which have been relatively popular in American evangelical communities. Despite being labeled as fiction, these horror stories have traditionally been consumed as reality and/or prophecy. Many have relied on Christian nationalist ideas, such as anti-gay and anti-abortion rhetoric, in their stories. While the relationship between evangelical horror and the Christian Right has impacted its evangelical consumers both theologically and politically, its transcendence into non-evangelical popular culture is less researched. This paper looks at how evangelical horror tropes, most of which are inspired by Christian nationalist ideology, have been appropriated by non-evangelical fiction. Analysis of The Conjuring and its sequel will reveal the adoption of many tropes often found in evangelical horror and the Christian Right.
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占有、政治和爱国主义:基督教民族主义和福音恐怖奖杯对《招魂》和《招魂2》的影响
本文研究了在美国福音派社区相对流行的福音派恐怖小说,如《留守》系列、《小鸡传》和《地狱屋》。尽管被贴上了小说的标签,但这些恐怖故事传统上被视为现实和/或预言。许多人在故事中依赖基督教民族主义思想,如反同性恋和反堕胎言论。虽然福音派恐怖与基督教右翼之间的关系在神学和政治上影响了其福音派消费者,但对其超越非福音派流行文化的研究较少。本文探讨了福音派恐怖比喻是如何被非福音派小说所挪用的,其中大多数都受到基督教民族主义意识形态的启发。对《招魂记》及其续集的分析将揭示福音派恐怖和基督教右翼中常见的许多比喻的采用。
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来源期刊
Journal of Religion and Popular Culture
Journal of Religion and Popular Culture Arts and Humanities-Religious Studies
CiteScore
0.30
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0.00%
发文量
27
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