{"title":"Sparrow Data: Dickinson’s Birds in the Skies of the Anthropocene","authors":"M. Werner","doi":"10.1353/edj.2021.0003","DOIUrl":null,"url":null,"abstract":"Abstract:Addressed to readers in and of the Anthropocene and composed in the wake of the archival and nonhuman turns, this essay considers how to make a “book” of Dickinson’s birds that will not turn into an exhibit or “specimen case” but will instead become a miscellany and a murmuration. Part I introduces Dickinson’s Birds (dickinsonsbirds.org), an ongoing experiment in sonic curation that imagines her bird-poems as both embodiments of ecological change and as lyric “strange strangers” while proposing Dickinson’s archive itself as an entropic space: a “flickering, shimmering field of forces without independent existence and in constant flux.” Part II traces the waxing and waning of Dickinson’s bird-poems in three textual and temporal zones—fascicles, bifolium sheets, late fragments—first taking the measure of each zone as a singular and vital soundscape, then gauging the distance between the dawn- and dusk-songs in Dickinson’s work.","PeriodicalId":41721,"journal":{"name":"Emily Dickinson Journal","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Emily Dickinson Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/edj.2021.0003","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Addressed to readers in and of the Anthropocene and composed in the wake of the archival and nonhuman turns, this essay considers how to make a “book” of Dickinson’s birds that will not turn into an exhibit or “specimen case” but will instead become a miscellany and a murmuration. Part I introduces Dickinson’s Birds (dickinsonsbirds.org), an ongoing experiment in sonic curation that imagines her bird-poems as both embodiments of ecological change and as lyric “strange strangers” while proposing Dickinson’s archive itself as an entropic space: a “flickering, shimmering field of forces without independent existence and in constant flux.” Part II traces the waxing and waning of Dickinson’s bird-poems in three textual and temporal zones—fascicles, bifolium sheets, late fragments—first taking the measure of each zone as a singular and vital soundscape, then gauging the distance between the dawn- and dusk-songs in Dickinson’s work.
期刊介绍:
The Emily Dickinson Journal (EDJ) showcases the poet at the center of current critical practices and perspectives. EDJ features writing by talented young scholars as well as work by those established in the field. Contributors explore the many ways in which Dickinson illuminates and challenges. No other journal provides this quality or quantity of scholarship on Dickinson. The Emily Dickinson Journal is sponsored by the Emily Dickinson International Society (EDIS).