Colonizing cuts of labyrinth mythology, a tangling parable of white sensibilities

IF 1.2 Q3 COMMUNICATION Communication and the Public Pub Date : 2020-03-01 DOI:10.1177/2057047320950631
D. Keeling
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Abstract

This article demonstrates the way wounds, and affects generally, are figured by the writing of history. It traces patterns of thinking about the labyrinth primarily in histories, theories, and myths of the past 150 years to demonstrate how the labyrinth has been cut by colonization. From the Mycenaean colonization of Indigenous Cretans (inaccurately named “Minoans”) to the emergence of white feminism and its present day practice, figures of the labyrinth iteratively cut history to perpetuate the un/common loss of colonized communities and to enact white racist sensibilities of exclusion. Entangling Karen Barad’s cutting together-apart and Kent Ono’s colonial amnesia, colonizing cuts are constitutive exclusions that wound and exclude colonized communities from history and world making.
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迷宫神话的殖民片段,白人情感的纠结寓言
这篇文章展示了创伤和一般的影响是如何被历史书写的。它追溯了过去150年来人们对迷宫的思考模式,主要是在历史、理论和神话中,以展示迷宫是如何被殖民所破坏的。从迈锡尼人对土著克里特人(被错误地命名为“米诺斯人”)的殖民,到白人女权主义的出现及其今天的实践,迷宫的人物不断地切割历史,以使被殖民社区的不寻常损失永久化,并制定白人种族主义的排斥情绪。将卡伦·巴拉德的“合二为一”和肯特·小野的“殖民失忆症”纠缠在一起,殖民割裂是一种构成性的排除,它伤害并将殖民社区排除在历史和世界创造之外。
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来源期刊
CiteScore
3.20
自引率
2.80%
发文量
13
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