Demystification of the Myth of Freedom in the Characterization of Christopher McCandless in Krakauer’s Into The Wild

N. Suwastini, G. Suprianti, Nyoman Trijaya Suparyanta
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引用次数: 3

Abstract

While Krakauer’s Into The Wild depicts McCandless’ flee from society to live in the wild, many reviews argue that McCandless was not really a kind of person who finds freedom in nature. The present study will investigate further the surface characterizations of McCandless as freedom chaser with the plot development to fill the gap between McCandless’ characterizations and the myth of freedom that he chases. By applying Barthes’ mythology, the study reveals that McCandless was described as an adventurer, immaterialist, and loner. However, the plot development reveals that as a person who sought an adventure in nature, McCandless would deal with water, but knowing that he had fear of water, it is contradictive with his characterization as an adventurer. As a person who rejected capitalism and materialist society, he was found working at McDonald's for having money in which both McDonalds and money are symbols of capitalism and materialistic society. As a person who spent his time mostly alone and intended to be alone in Alaska, he was a lonely person after all. Thus these contradictions demystify the myth of freedom that McCandless chases.  
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从克拉考尔的《走进荒野》中克里斯托弗·麦坎德利斯的角色塑造看自由神话的神秘化
虽然克拉考尔的《荒野》描绘了麦坎德利斯逃离社会,生活在野外,但许多评论认为麦坎德利斯并不是一个真正在自然中找到自由的人。本研究将随着情节的发展,进一步探讨麦坎德利斯作为自由追求者的表面刻画,以填补麦坎德利斯的刻画与他所追求的自由神话之间的空白。通过运用巴特的神话,该研究揭示了麦坎德利斯被描述为一个冒险家、非物质主义者和孤独者。然而,从情节发展来看,作为一个在大自然中寻求冒险的人,麦坎德利斯会与水打交道,但知道自己害怕水,这与他作为一个冒险家的形象是矛盾的。作为一个反对资本主义和物质主义社会的人,他因为有钱而在麦当劳工作,麦当劳和金钱都是资本主义和物质主义社会的象征。在阿拉斯加,他大部分时间都是一个人度过的,而且打算一个人呆着,他毕竟是一个孤独的人。因此,这些矛盾揭开了麦坎德利斯所追求的自由神话的神秘面纱。
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