Loss of vision: On emotional affects caused by the representation of violence in Russia’s war against Ukraine and beyond

IF 0.1 0 ART Philosophy of Photography Pub Date : 2022-10-01 DOI:10.1386/pop_00064_7
Mykola Ridnyi
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Abstract

The essay is concentrated on emotional affects caused by representation of violence in the case of Russia’s war against Ukraine and beyond. Instant accessibility to first-hand visual information created fertile soil for planting and then multiplying manipulative strategies of one or another political interest. Meanwhile, the demand for shocking content continues to steadily rise because it guarantees popularity, spectacle and even a form of pleasure. This, in turn, supports a very propagandistic version of reality where violence plays a central role in the overall design and transmission of contents, which is driven by shock as an affective medium. Blind Spot, Gradual Loss of Vision and Speck in the Eye represent a body of works by Mykola Ridnyi, address the question of what potential response(s) could be given by artistic interventions understood as a dialectical and critical framework able to face and make visible the problem of dehumanization through violence?
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丧失视力:论俄罗斯对乌克兰及其他地区的战争中暴力表现所造成的情感影响
这篇文章的重点是在俄罗斯对乌克兰和其他地区的战争中,暴力的表现所引起的情感影响。即时获得第一手的视觉信息为种植创造了肥沃的土壤,然后增加了一种或另一种政治利益的操纵策略。与此同时,对令人震惊的内容的需求继续稳步上升,因为它保证了人气、壮观,甚至是一种快感。这反过来又支持了一种非常宣传的现实版本,在这种版本中,暴力在内容的整体设计和传播中扮演着核心角色,这是由震惊作为一种情感媒介所驱动的。《盲点》、《逐渐丧失视力》和《眼睛里的斑点》代表了Mykola Ridnyi的一系列作品,这些作品探讨了艺术干预作为一种辩证和批判的框架能够面对并通过暴力使非人化问题可见的潜在反应是什么?
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‘A knife without a blade, for which a handle is missing’: On the pleasure of photographic violence ‘Negative’ Toward the Critique of Violence: A Critical Edition, Walter Benjamin, Peter Fenves (ed.) and Julia Ng (ed.) (2021) Shot/countershot: Essaying images of war and violence in the work of Harun Farocki, Hito Steyerl and Rabih Mroué Loss of vision: On emotional affects caused by the representation of violence in Russia’s war against Ukraine and beyond
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