Gendering the Anthropocene: Female astronauts, failed motherhood and the overview effect

IF 0.2 0 FILM, RADIO, TELEVISION Science Fiction Film and Television Pub Date : 2019-02-01 DOI:10.3828/SFFTV.2019.06
J. Jenner
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引用次数: 1

Abstract

Abstract:In this article I examine films such as The Cloverfield Paradox, One Under the Sun and The Space Between Us, as well as television series such as Extant and The 100, to argue that, in parallel to revisions of masculinist Anthropocene discourse, the increase in female astronauts in contemporary sf has revised the notion of who is capable of political agency and intervention by seeing life on an ecologically troubled Earth from an expansive spatial and temporal perspective. The recent increase of female astronauts on screen, including women of colour, suggests a political reconfiguration of agency in the current geological epoch called the Anthropocene. However, at the same time, contemporary sf film and television is populated by female astronauts who are grieving a lost or dying child, are infertile, or give birth to alien or monstrous children. As I will argue, the failure of procreation is projected onto anxieties about the Earth’s increasing inability to sustain life on Earth. There is, then, a deep ambivalence about the views of the Earth as witnessed by female astronauts – both a progressive political gesture within Anthropocene politics and a perpetuation of the displacement of cultural anxieties onto the female body.
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人类世的性别化:女宇航员,失败的母性和总体效应
摘要:本文通过对《科洛弗悖论》、《阳光下的人》和《我们之间的空间》等电影以及《传世》和《百世》等电视剧的研究,认为在修正男性主义人类世话语的同时,当代科幻小说中女性宇航员的增加也从广阔的时空视角看待生态混乱的地球上的生命,从而修正了谁有能力进行政治代理和干预的概念。最近银幕上女性宇航员的增加,包括有色人种女性,表明在当前被称为“人类世”的地质时代,机构的政治重构。然而,与此同时,当代科幻电影和电视中充斥着女宇航员,她们为失去或即将死去的孩子而悲伤,无法生育,或者生下了外星人或怪物的孩子。正如我将要论证的那样,生育的失败被投射到对地球日益无力维持地球上生命的焦虑上。因此,对于女宇航员所见证的地球的观点,存在着一种深深的矛盾心理——既是人类世政治中的一种进步的政治姿态,也是将文化焦虑转移到女性身体上的一种延续。
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来源期刊
Science Fiction Film and Television
Science Fiction Film and Television FILM, RADIO, TELEVISION-
CiteScore
1.00
自引率
0.00%
发文量
31
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