Hamlet’s Displacement as a Recurrent Case in Cather’s A Lost Lady and Al Halaby’s Once in a Promised Land

IF 0.3 3区 文学 N/A LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2020-12-01 DOI:10.3167/cs.2020.320405
Tareq Zuhair
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Abstract

Freudian neurosis, despite being a psychological disorder rather than a literary topic, has been used in literature to conceptualise characters’ suffering. Freud contends that the suppression of desires due to hidden and unhidden causes leads to neurosis. Being unable to succeed in life, individuals feel neurotic and tend to displace their frustrations onto other persons or objects. Starting with the Renaissance, this article explores how displacement in Shakespeare’s Hamlet is tacitly approached and how this reaction has become a recurrent case in Willa Cather’s A Lost Lady (1923) and Laila Al Halaby’s Once in a Promised Land (2007). The article analyses the incentives of neurosis in each work, how these reasons lead to the onset of displacement and how literary works share relatively similar implications about displacement despite being about different issues.
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哈姆雷特的流离失所在凯瑟的《迷失的女人》和阿尔·哈拉比的《应许之地》中反复出现
尽管弗洛伊德神经症是一种心理障碍,而不是一个文学话题,但它在文学中被用来概念化人物的痛苦。弗洛伊德认为,由于隐藏和不隐藏的原因而抑制欲望会导致神经症。由于无法在生活中取得成功,人们会感到神经质,并倾向于将他们的挫折转移到其他人或物体上。本文从文艺复兴时期开始,探讨莎士比亚《哈姆雷特》中的流离失所是如何被巧妙地处理的,以及这种反应是如何在薇拉·凯瑟的《失落的女士》(1923)和莱拉·阿尔·哈拉比的《应许之地》(2007)中反复出现的。本文分析了每一部作品中神经症的诱因,这些原因如何导致流离失所的发生,以及文学作品如何在不同的问题上分享相对相似的流离失所含义。
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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(There Is) Nothing Like a Dane Alienating Hamlet Västanå Teater's 1996 Hamlet Elli Tompuri's Female Hamlet, 1913 ‘|Y]oung Hamlet’
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